PROVENANCE
Prints and a Few Drawings from Great Collections of the Past
Prints and a Few Drawings from Great Collections of the Past
- Master MR, Christ on the Cross
- Dürer, St. Bartholomew
- Dürer, Christ Before Caiaphas
- Raimondi, Philosophy
- Raimondi, Façade with Caryatids
- Beham, Job Conversing
- Beham, Satyr Sounding a Horn
- Beham, Peasant Couple Walking
- Caraglio, Martyrdom of St. Paul
- Aldegrever, Standard Bearer
- Pencz, Feeding the Hungry
- Pencz, Artemisia Preparing
- Falconetto, Tomb Surmounted
- Claesz, St. Peter Seated
- Treu, Noble Dancers
- Master FP, Hercules Killing
- Brun, February
- Solis, Arithmetria
- de Bruyn, The Circumcision
- Sadeler, Virgin and Child
- Goltzius, A Young Man
- Matham, The Planets
- Brizio, Extensive Landscape
- van de Velde, Fête Villageoise
- van de Velde, Backgammon
- van Uyttenbroek, Tobias
- van Uyttenbroek, Bacchus
- Rembrandt, The Small Lion Hunt
- Hollar, Woman with Headdress
- Saftleven, Dutch Peasant
- Ostade, Bust of a Peasant
- Stoop, A Grazing Horse
- Fyt, Set of Animals
- Bega, The Three Drinkers
- Anonymous, Landscape
- Nanteuil, Charles Benoise
- Nanteuil, Cardinal Mazarin
- Nanteuil, Pierre Seguier
- van Vliet, St. Jerome Sitting
- Cossin, Ornament Design
- Sirani, St. Eustace
- Somer, Hagar and Ishmael
- Daullé, La Muse Clio
- Tiepolo, The Holy Family
- MacArdell, Hannah, Mrs. Horneck
- Laurie, Elizabeth, Dutchess
- Denon, Village Scene
- Charlet, Les Français
- Pieraccini, Holy Family
- Daumier, Y n’y a rien comm’
- Daubigny, Les Ruines du Chateau
- Daubigny, Lever de Lune
- Meryon, Le Petit Pont
- Rops, La Poupée du Satyre
- Whistler, Old Hungerford Bridge
- Legros, Un Coin de Rivière
- Buhot, Frontispice
- Forain, La Rencontre
- Pennell, Hampton Court Palace
- Delâtre, Silhouette de Femme
9. Gian Giacomo (Jacopo) Caraglio (1505-1565) after Parmigianino The Martyrdom of St. Paul and Condemnation of St. Peter |
(click on image to print)
The Martyrdom of St. Paul and Condemnation of St. Peter
Other Images:
Engraving, ca.1527, 256 x 445 mm., Bartsch 8, The Illustrated Bartsch 8 i/iii. Fine, early impression before the rework of the second state, on laid paper with the image coming through on the reverse as in early Marcantonio impressions, trimmed on or just inside the platemark but showing the borderline all around; small restorations at the left edge and small tears repaired elsewhere, flattened old fold marks and traces of printer’s creases, overall of fine appearance. The work is Caraglio’s finest and most important print. It reproduces a drawing by Parmigianino, now in the British Museum, which, according to Popham, is a composition once intended as a fresco in the Vatican but never actually painted. The drawing was later reproduced as a chiaroscuro woodcut by Antonio da Trento.
Provenance: Franz Rechberger (Lugt 2133). Rechberger (1771-1841) was a painter and engraver but, perhaps more important, a great connoisseur of old master prints and conservator of the collection of Count Moriz von Fries and later of the Albertina collection in Vienna. While Rechberger is known to have had his own collection, his signature, and frequently the date of acquisition, is found on prints from the Count von Fries collection, which comprised some 100,000 drawings and prints.