PROVENANCE
Prints and a Few Drawings from Great Collections of the Past
Prints and a Few Drawings from Great Collections of the Past
- Master MR, Christ on the Cross
- Dürer, St. Bartholomew
- Dürer, Christ Before Caiaphas
- Raimondi, Philosophy
- Raimondi, Façade with Caryatids
- Beham, Job Conversing
- Beham, Satyr Sounding a Horn
- Beham, Peasant Couple Walking
- Caraglio, Martyrdom of St. Paul
- Aldegrever, Standard Bearer
- Pencz, Feeding the Hungry
- Pencz, Artemisia Preparing
- Falconetto, Tomb Surmounted
- Claesz, St. Peter Seated
- Treu, Noble Dancers
- Master FP, Hercules Killing
- Brun, February
- Solis, Arithmetria
- de Bruyn, The Circumcision
- Sadeler, Virgin and Child
- Goltzius, A Young Man
- Matham, The Planets
- Brizio, Extensive Landscape
- van de Velde, Fête Villageoise
- van de Velde, Backgammon
- van Uyttenbroek, Tobias
- van Uyttenbroek, Bacchus
- Rembrandt, The Small Lion Hunt
- Hollar, Woman with Headdress
- Saftleven, Dutch Peasant
- Ostade, Bust of a Peasant
- Stoop, A Grazing Horse
- Fyt, Set of Animals
- Bega, The Three Drinkers
- Anonymous, Landscape
- Nanteuil, Charles Benoise
- Nanteuil, Cardinal Mazarin
- Nanteuil, Pierre Seguier
- van Vliet, St. Jerome Sitting
- Cossin, Ornament Design
- Sirani, St. Eustace
- Somer, Hagar and Ishmael
- Daullé, La Muse Clio
- Tiepolo, The Holy Family
- MacArdell, Hannah, Mrs. Horneck
- Laurie, Elizabeth, Dutchess
- Denon, Village Scene
- Charlet, Les Français
- Pieraccini, Holy Family
- Daumier, Y n’y a rien comm’
- Daubigny, Les Ruines du Chateau
- Daubigny, Lever de Lune
- Meryon, Le Petit Pont
- Rops, La Poupée du Satyre
- Whistler, Old Hungerford Bridge
- Legros, Un Coin de Rivière
- Buhot, Frontispice
- Forain, La Rencontre
- Pennell, Hampton Court Palace
- Delâtre, Silhouette de Femme
Woman with a Dark Headdress and Fur Stole
Other Images:
Etching, 1642, 98 x 92 mm., Parthey 1933, Pennington 1933 only state.
Fine, dark impression on laid paper with good margins outside the rectangular plate mark; slight traces of old fold marks. Hollar was probably the first truly international etcher, wending his way from his birthplace in Bohemia through most of Europe (including Gibralter), noting down, in drawings and prints, varieties of landscape, of dress, of architecture and of customs, as well as reproducing rare and valuable works of art he saw on his journeys. The woman -- and the fashion -- pictured here are certainly English and the work may actually be a portrait, taken from an ivory miniature.
Provenance:
John Charrington (Lugt 572). Charrington (1856-1939) was the print curator of the Fitzwilliam Museum, Cambridge and the author of the catalog of its collection, as well as of other print studies. A collector himself, he gave most of his personal collection to the Fitzwilliam, including 5-6000 portrait engravings, works by Schongauer and Mantegna, and early proof impressions of the David Lucas mezzotints after Constable. The remainder of his collection, presumably prints the Fitzwilliam already had, was sold at auction in 1911 and, after his death, in 1940.