PROVENANCE
Prints and a Few Drawings from Great Collections of the Past
  1. Master MR, Christ on the Cross
  2. Dürer, St. Bartholomew
  3. Dürer, Christ Before Caiaphas
  4. Raimondi, Philosophy
  5. Raimondi, Façade with Caryatids
  6. Beham, Job Conversing
  7. Beham, Satyr Sounding a Horn
  8. Beham, Peasant Couple Walking
  9. Caraglio, Martyrdom of St. Paul
  10. Aldegrever, Standard Bearer
  11. Pencz, Feeding the Hungry
  12. Pencz, Artemisia Preparing
  13. Falconetto, Tomb Surmounted
  14. Claesz, St. Peter Seated
  15. Treu, Noble Dancers
  16. Master FP, Hercules Killing
  17. Brun, February
  18. Solis, Arithmetria
  19. de Bruyn, The Circumcision
  20. Sadeler, Virgin and Child
  21. Goltzius, A Young Man
  22. Matham, The Planets
  23. Brizio, Extensive Landscape
  24. van de Velde, Fête Villageoise
  25. van de Velde, Backgammon
  26. van Uyttenbroek, Tobias
  27. van Uyttenbroek, Bacchus
  28. Rembrandt, The Small Lion Hunt
  29. Hollar, Woman with Headdress
  30. Saftleven, Dutch Peasant
  31. Ostade, Bust of a Peasant
  32. Stoop, A Grazing Horse
  33. Fyt, Set of Animals
  34. Bega, The Three Drinkers
  35. Anonymous, Landscape
  36. Nanteuil, Charles Benoise
  37. Nanteuil, Cardinal Mazarin
  38. Nanteuil, Pierre Seguier
  39. van Vliet, St. Jerome Sitting
  40. Cossin, Ornament Design
  41. Sirani, St. Eustace
  42. Somer, Hagar and Ishmael
  43. Daullé, La Muse Clio
  44. Tiepolo, The Holy Family
  45. MacArdell, Hannah, Mrs. Horneck
  46. Laurie, Elizabeth, Dutchess
  47. Denon, Village Scene
  48. Charlet, Les Français
  49. Pieraccini, Holy Family
  50. Daumier, Y n’y a rien comm’
  51. Daubigny, Les Ruines du Chateau
  52. Daubigny, Lever de Lune
  53. Meryon, Le Petit Pont
  54. Rops, La Poupée du Satyre
  55. Whistler, Old Hungerford Bridge
  56. Legros, Un Coin de Rivière
  57. Buhot, Frontispice
  58. Forain, La Rencontre
  59. Pennell, Hampton Court Palace
  60. Delâtre, Silhouette de Femme

41. Anonymous after
Elisabetta Sirani (1638-1665)
St. Eustace

(click on image to print)
Sirani, St. Eustace

St. Eustace

Other Images:

Etching, ca. 1655, 261 x 186 mm., Bartsch 10 (copy), The Illustrated Bartsch 10 (copy) illustrated. Very fine impression on laid paper with thread margins; upper left corner loss (outside the image). The impression, with inky plate edges, is apparently superior to the Vienna one reproduced in TIB, which describes the print as “a copy…very well made by an unknown artist of skill.” The legend of St. Eustace identifies him as a Roman general of the second century AD who, while hunting, saw a vision of Christ between the antlers of a stag and immediately converted to Christianity.

Provenance:
A. Caironi (Lugt 426). Agostino Caironi (2nd half of the nineteenth century) was a painter in Milan, who excelled at fresco painting. He studied at the Brera Academy and later became professor there. Nothing specific is known about his print collecting activities, but, as an artist who might study earlier models, he most likely would have been less interested in the rarity or even the authenticity of a print than in the image itself. This would explain why his collection contained such a copy, rather than the original, presumably harder to find and more expensive.