PROVENANCE
Prints and a Few Drawings from Great Collections of the Past
Prints and a Few Drawings from Great Collections of the Past
- Master MR, Christ on the Cross
- Dürer, St. Bartholomew
- Dürer, Christ Before Caiaphas
- Raimondi, Philosophy
- Raimondi, Façade with Caryatids
- Beham, Job Conversing
- Beham, Satyr Sounding a Horn
- Beham, Peasant Couple Walking
- Caraglio, Martyrdom of St. Paul
- Aldegrever, Standard Bearer
- Pencz, Feeding the Hungry
- Pencz, Artemisia Preparing
- Falconetto, Tomb Surmounted
- Claesz, St. Peter Seated
- Treu, Noble Dancers
- Master FP, Hercules Killing
- Brun, February
- Solis, Arithmetria
- de Bruyn, The Circumcision
- Sadeler, Virgin and Child
- Goltzius, A Young Man
- Matham, The Planets
- Brizio, Extensive Landscape
- van de Velde, Fête Villageoise
- van de Velde, Backgammon
- van Uyttenbroek, Tobias
- van Uyttenbroek, Bacchus
- Rembrandt, The Small Lion Hunt
- Hollar, Woman with Headdress
- Saftleven, Dutch Peasant
- Ostade, Bust of a Peasant
- Stoop, A Grazing Horse
- Fyt, Set of Animals
- Bega, The Three Drinkers
- Anonymous, Landscape
- Nanteuil, Charles Benoise
- Nanteuil, Cardinal Mazarin
- Nanteuil, Pierre Seguier
- van Vliet, St. Jerome Sitting
- Cossin, Ornament Design
- Sirani, St. Eustace
- Somer, Hagar and Ishmael
- Daullé, La Muse Clio
- Tiepolo, The Holy Family
- MacArdell, Hannah, Mrs. Horneck
- Laurie, Elizabeth, Dutchess
- Denon, Village Scene
- Charlet, Les Français
- Pieraccini, Holy Family
- Daumier, Y n’y a rien comm’
- Daubigny, Les Ruines du Chateau
- Daubigny, Lever de Lune
- Meryon, Le Petit Pont
- Rops, La Poupée du Satyre
- Whistler, Old Hungerford Bridge
- Legros, Un Coin de Rivière
- Buhot, Frontispice
- Forain, La Rencontre
- Pennell, Hampton Court Palace
- Delâtre, Silhouette de Femme
The Three Drinkers
Other Images:
Etching, 115 x 113 mm., Bartsch 29 i/ii, Dutuit 29 i/ii, Hollstein 29 i/iii. Very fine, dark and early impression with traces of the high cap on the figure at the right. Bartsch mentions rare, early impressions with such traces and while they are faint here, they are definitely present. The borderline has not yet been reworked and the plate corners are square. Printed on laid paper without visible watermark, trimmed on or just inside the platemark, which is visible in places with traces of ink; the very tip of the upper left corner restored.
Bega was the grandson of the painter Cornelis van Haarlem and the pupil of Adriaen van Ostade, whose tradition of low-life genre painting and etching he continued, influencing, in his turn, later artists. He died young, probably of the plague.
Provenance:
Fürst zu Fürstenberg (Lugt 2811). The collection of the Princes of Fürstenberg at Donaueschingen, which, as of 1863, comprised some 70,000 prints and photographs and a small, but highly important, collection of drawings (Holbein, Baldung, Caravaggio, etc.), was started around 1829 and endures today. Apparently, only duplicates were sold in 1932, but others must have been dispersed earlier as evidenced by the provenance of this print. The mark here is an old one, replaced by L. 995, and usually found only on etchings by Rembrandt in the collection.
J. F. Linck (Lugt 1684 and 1685). Linck, who died around 1863, was an engraver, an author (monograph and catalog of the works of Dietrich) and a print seller in Berlin. His collection, of some 1500 lots, was sold in Leipzig in 1863. Link, besides signing his name on back of his prints, often added identifying catalog numbers and commentary in French in a precise and beautiful script. His comment here reads: “1re Epr. avec le trait du bonnet haut.”
J. F. Linck (Lugt 1684 and 1685). Linck, who died around 1863, was an engraver, an author (monograph and catalog of the works of Dietrich) and a print seller in Berlin. His collection, of some 1500 lots, was sold in Leipzig in 1863. Link, besides signing his name on back of his prints, often added identifying catalog numbers and commentary in French in a precise and beautiful script. His comment here reads: “1re Epr. avec le trait du bonnet haut.”
$2,500.00 |