PROVENANCE
Prints and a Few Drawings from Great Collections of the Past
Prints and a Few Drawings from Great Collections of the Past
- Master MR, Christ on the Cross
- Dürer, St. Bartholomew
- Dürer, Christ Before Caiaphas
- Raimondi, Philosophy
- Raimondi, Façade with Caryatids
- Beham, Job Conversing
- Beham, Satyr Sounding a Horn
- Beham, Peasant Couple Walking
- Caraglio, Martyrdom of St. Paul
- Aldegrever, Standard Bearer
- Pencz, Feeding the Hungry
- Pencz, Artemisia Preparing
- Falconetto, Tomb Surmounted
- Claesz, St. Peter Seated
- Treu, Noble Dancers
- Master FP, Hercules Killing
- Brun, February
- Solis, Arithmetria
- de Bruyn, The Circumcision
- Sadeler, Virgin and Child
- Goltzius, A Young Man
- Matham, The Planets
- Brizio, Extensive Landscape
- van de Velde, Fête Villageoise
- van de Velde, Backgammon
- van Uyttenbroek, Tobias
- van Uyttenbroek, Bacchus
- Rembrandt, The Small Lion Hunt
- Hollar, Woman with Headdress
- Saftleven, Dutch Peasant
- Ostade, Bust of a Peasant
- Stoop, A Grazing Horse
- Fyt, Set of Animals
- Bega, The Three Drinkers
- Anonymous, Landscape
- Nanteuil, Charles Benoise
- Nanteuil, Cardinal Mazarin
- Nanteuil, Pierre Seguier
- van Vliet, St. Jerome Sitting
- Cossin, Ornament Design
- Sirani, St. Eustace
- Somer, Hagar and Ishmael
- Daullé, La Muse Clio
- Tiepolo, The Holy Family
- MacArdell, Hannah, Mrs. Horneck
- Laurie, Elizabeth, Dutchess
- Denon, Village Scene
- Charlet, Les Français
- Pieraccini, Holy Family
- Daumier, Y n’y a rien comm’
- Daubigny, Les Ruines du Chateau
- Daubigny, Lever de Lune
- Meryon, Le Petit Pont
- Rops, La Poupée du Satyre
- Whistler, Old Hungerford Bridge
- Legros, Un Coin de Rivière
- Buhot, Frontispice
- Forain, La Rencontre
- Pennell, Hampton Court Palace
- Delâtre, Silhouette de Femme
44. Giovanni Domenico Tiepolo (1727-1804) The Holy Family Preparing to Embark |
(click on image to print)
The Holy Family Preparing to Embark
Other Images:
Etching, 1753, from The Flight Into Egypt (plate 15), 186 x 241 mm., Rizzi 81 i/ii (proof), DeVesme 15. A fine impression on laid paper trimmed on the platemark but with the white plate margin outside the borderline all around. The impression is superior to that reproduced by Rizzi (with the number) and qualifies as his proof state before the number 15, that area of the print showing no evidence of thinning or scraping. The elegant image is unusual in that all members of the Holy Family are seen from the rear, the child visible only by his halo, with only the angel and the mule driver facing the viewer. The series is a remarkable achievement of pictorial imagination, drawing on medieval and apocryphal legends to produce twenty-four superb images all ultimately deriving from the single, laconic biblical line, “and he arose and took the young child and his mother by night, and departed into Egypt.”
Provenance:
J. W. Nahl (Lugt 1954). Johann Wilhelm Nahl (1803-1880), the son and grandson of artists, was a painter himself, resident in Kassel, Germany, hence the painter’s palette as his collector’s mark. His work, however, was in a style fast going out of fashion and he abandoned painting to concentrate on building his collection of paintings, drawings and prints. Lugt mentions that he had a sure eye and a remarkable flare. At his death, the collection passed to a grandnephew, Arthur Nahl, also a painter, who promptly arranged for its sale. The paintings were sold in two auctions in Kassel and Berlin. The drawings and prints, ten thousand of them, were auctioned in Köln (Cologne) in 1811.