PROVENANCE
Prints and a Few Drawings from Great Collections of the Past
Prints and a Few Drawings from Great Collections of the Past
- Master MR, Christ on the Cross
- Dürer, St. Bartholomew
- Dürer, Christ Before Caiaphas
- Raimondi, Philosophy
- Raimondi, Façade with Caryatids
- Beham, Job Conversing
- Beham, Satyr Sounding a Horn
- Beham, Peasant Couple Walking
- Caraglio, Martyrdom of St. Paul
- Aldegrever, Standard Bearer
- Pencz, Feeding the Hungry
- Pencz, Artemisia Preparing
- Falconetto, Tomb Surmounted
- Claesz, St. Peter Seated
- Treu, Noble Dancers
- Master FP, Hercules Killing
- Brun, February
- Solis, Arithmetria
- de Bruyn, The Circumcision
- Sadeler, Virgin and Child
- Goltzius, A Young Man
- Matham, The Planets
- Brizio, Extensive Landscape
- van de Velde, Fête Villageoise
- van de Velde, Backgammon
- van Uyttenbroek, Tobias
- van Uyttenbroek, Bacchus
- Rembrandt, The Small Lion Hunt
- Hollar, Woman with Headdress
- Saftleven, Dutch Peasant
- Ostade, Bust of a Peasant
- Stoop, A Grazing Horse
- Fyt, Set of Animals
- Bega, The Three Drinkers
- Anonymous, Landscape
- Nanteuil, Charles Benoise
- Nanteuil, Cardinal Mazarin
- Nanteuil, Pierre Seguier
- van Vliet, St. Jerome Sitting
- Cossin, Ornament Design
- Sirani, St. Eustace
- Somer, Hagar and Ishmael
- Daullé, La Muse Clio
- Tiepolo, The Holy Family
- MacArdell, Hannah, Mrs. Horneck
- Laurie, Elizabeth, Dutchess
- Denon, Village Scene
- Charlet, Les Français
- Pieraccini, Holy Family
- Daumier, Y n’y a rien comm’
- Daubigny, Les Ruines du Chateau
- Daubigny, Lever de Lune
- Meryon, Le Petit Pont
- Rops, La Poupée du Satyre
- Whistler, Old Hungerford Bridge
- Legros, Un Coin de Rivière
- Buhot, Frontispice
- Forain, La Rencontre
- Pennell, Hampton Court Palace
- Delâtre, Silhouette de Femme
49. Francesco Pieraccini (fl. 1823-1850) after Lodovico Mazzoli called Mazzolino The Holy Family with Saint Anne, Saint John and a Monkey |
(click on image to print)
The Holy Family with Saint Anne, Saint John and a Monkey
Other Images:
Original drawing in pen and black ink over pencil, 315 x 222 mm. The purpose of this meticulously done line drawing with cross-hatch shading is clear. It is the preliminary study for a print, reproducing an earlier work, probably for book illustration, before the days of photography. The drawing, on thin, tan wove paper, shows framing lines and is squared for transfer very lightly in pencil. The names of both artists are inscribed just below the borderline. There is a somewhat similar, though clearly not the same, painting by Mazzoli in the Uffizi, but we have been unable to track down this specific image, which Pieraccini dates in the drawing to 1511. The Greek or Roman frieze behind the holy family is apparently characteristic of Mazzoli's paintings, but the monkey, usually a symbol of evil, is unusual. The dimensions given are of the sheet; the drawing itself measures 180 x 152 mm., including the inscribed names.
Provenance:
King Ludwig II of Bavaria (not in Lugt). The so-called “Mad Ludwig” (1845-1886) was King of Bavaria from 1864 until deposed on grounds of insanity one day before his death under mysterious circumstances. Apart from that, Ludwig is known primarily for two things: the eccentric fairytale castles he had erected in Bavaria (Neuschwanstein is the most famous), and his devoted patronage of the composer Richard Wagner, who, without Ludwig’s support, might never have been able to complete his Ring cycle or Parsifal, nor to have seen his operas presented at Bayreuth. It comes as an anticlimax to report that Ludwig also had a collection of drawings. We have seen several, but no one, to our knowledge, has done a study of the collection.