PROVENANCE
Prints and a Few Drawings from Great Collections of the Past
Prints and a Few Drawings from Great Collections of the Past
- Master MR, Christ on the Cross
- Dürer, St. Bartholomew
- Dürer, Christ Before Caiaphas
- Raimondi, Philosophy
- Raimondi, Façade with Caryatids
- Beham, Job Conversing
- Beham, Satyr Sounding a Horn
- Beham, Peasant Couple Walking
- Caraglio, Martyrdom of St. Paul
- Aldegrever, Standard Bearer
- Pencz, Feeding the Hungry
- Pencz, Artemisia Preparing
- Falconetto, Tomb Surmounted
- Claesz, St. Peter Seated
- Treu, Noble Dancers
- Master FP, Hercules Killing
- Brun, February
- Solis, Arithmetria
- de Bruyn, The Circumcision
- Sadeler, Virgin and Child
- Goltzius, A Young Man
- Matham, The Planets
- Brizio, Extensive Landscape
- van de Velde, Fête Villageoise
- van de Velde, Backgammon
- van Uyttenbroek, Tobias
- van Uyttenbroek, Bacchus
- Rembrandt, The Small Lion Hunt
- Hollar, Woman with Headdress
- Saftleven, Dutch Peasant
- Ostade, Bust of a Peasant
- Stoop, A Grazing Horse
- Fyt, Set of Animals
- Bega, The Three Drinkers
- Anonymous, Landscape
- Nanteuil, Charles Benoise
- Nanteuil, Cardinal Mazarin
- Nanteuil, Pierre Seguier
- van Vliet, St. Jerome Sitting
- Cossin, Ornament Design
- Sirani, St. Eustace
- Somer, Hagar and Ishmael
- Daullé, La Muse Clio
- Tiepolo, The Holy Family
- MacArdell, Hannah, Mrs. Horneck
- Laurie, Elizabeth, Dutchess
- Denon, Village Scene
- Charlet, Les Français
- Pieraccini, Holy Family
- Daumier, Y n’y a rien comm’
- Daubigny, Les Ruines du Chateau
- Daubigny, Lever de Lune
- Meryon, Le Petit Pont
- Rops, La Poupée du Satyre
- Whistler, Old Hungerford Bridge
- Legros, Un Coin de Rivière
- Buhot, Frontispice
- Forain, La Rencontre
- Pennell, Hampton Court Palace
- Delâtre, Silhouette de Femme
La Muse Clio
Other Images:
Engraving, 333 x 378 mm., Portalis & Béraldi 13, Jean-Richard 558. Fine, sharp impression on laid paper with good margins all around. Clio is the muse of history. Generally she holds a trumpet as her attribute, but here a lyre and an instrument that Boucher might have thought to be a trumpet, but is more like a shawm or bombard (woodwind instruments) without its reed mouthpiece. Clio is accompanied here by a score-reading putto.
Provenance:
L. Valentin (Lugt 2498). Louis Valentin (2nd half of the 19th century) lived and worked in Paris, where he was a wholesale merchant in wine. His major interest was in eighteenth-century French prints, both black and white and color, though he owned a small group of old masters and an important collection of Meryons. His purchases were mainly from Parisian dealers, but he was obsessive about quality and would frequently trade in his prints for better impressions. Thus, his collection was known for quality rather than quantity. Nevertheless, it was still extensive enough to fill seven separate auction sales after his death. As all too frequently happens, his heirs had little interest in or knowledge of prints. The collection was simply left to moulder. However, Valentin had insured the collection and, as the premiums came due, the heirs sought ways to reduce them and finally put the collection under the eyes of the expert Loys Delteil. He assured them of its value (it was, in terms of quality, probably the best collection of eighteenth-century prints in private hands) and they cashed in.