PROVENANCE
Prints and a Few Drawings from Great Collections of the Past
Prints and a Few Drawings from Great Collections of the Past
- Master MR, Christ on the Cross
- Dürer, St. Bartholomew
- Dürer, Christ Before Caiaphas
- Raimondi, Philosophy
- Raimondi, Façade with Caryatids
- Beham, Job Conversing
- Beham, Satyr Sounding a Horn
- Beham, Peasant Couple Walking
- Caraglio, Martyrdom of St. Paul
- Aldegrever, Standard Bearer
- Pencz, Feeding the Hungry
- Pencz, Artemisia Preparing
- Falconetto, Tomb Surmounted
- Claesz, St. Peter Seated
- Treu, Noble Dancers
- Master FP, Hercules Killing
- Brun, February
- Solis, Arithmetria
- de Bruyn, The Circumcision
- Sadeler, Virgin and Child
- Goltzius, A Young Man
- Matham, The Planets
- Brizio, Extensive Landscape
- van de Velde, Fête Villageoise
- van de Velde, Backgammon
- van Uyttenbroek, Tobias
- van Uyttenbroek, Bacchus
- Rembrandt, The Small Lion Hunt
- Hollar, Woman with Headdress
- Saftleven, Dutch Peasant
- Ostade, Bust of a Peasant
- Stoop, A Grazing Horse
- Fyt, Set of Animals
- Bega, The Three Drinkers
- Anonymous, Landscape
- Nanteuil, Charles Benoise
- Nanteuil, Cardinal Mazarin
- Nanteuil, Pierre Seguier
- van Vliet, St. Jerome Sitting
- Cossin, Ornament Design
- Sirani, St. Eustace
- Somer, Hagar and Ishmael
- Daullé, La Muse Clio
- Tiepolo, The Holy Family
- MacArdell, Hannah, Mrs. Horneck
- Laurie, Elizabeth, Dutchess
- Denon, Village Scene
- Charlet, Les Français
- Pieraccini, Holy Family
- Daumier, Y n’y a rien comm’
- Daubigny, Les Ruines du Chateau
- Daubigny, Lever de Lune
- Meryon, Le Petit Pont
- Rops, La Poupée du Satyre
- Whistler, Old Hungerford Bridge
- Legros, Un Coin de Rivière
- Buhot, Frontispice
- Forain, La Rencontre
- Pennell, Hampton Court Palace
- Delâtre, Silhouette de Femme
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26. Moyses van Uyttenbroek (ca. 1590-1648) Tobias Restoring His Father’s Vision |
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(click on image to print)
Tobias Restoring His Father’s Vision
Other Images:
Etching, 1621, from The Story of Tobias, 130 x 183 mm., Bartsch 16, The Illustrated Bartsch 16 iii/vi. Fine, early impression, before any address or number, on laid paper with narrow margins outside the platemark all around. In fact, Uyttenbroek has changed the story slightly, and it is the angel who places the fish gall on Tobit’s eyes, while Tobias kneels and holds a bowl.
Provenance:
Charles Hodges (Lugt 552). The mark, originally unidentified by Lugt, apparently belongs to the painter and engraver Charles Howard Hodges (1764-1837), who was probably a student of John Raphael Smith. Like his teacher, he worked often in mezzotint and had considerable success as both a print maker and portraitist in oil and pastel. He traveled frequently to the Netherlands, where he apparently developed a taste for Dutch etchings, and died in Amsterdam. His collection, presumably including his own paintings, was sold there in 1838.
Wilhelm Koller (L. 2632). Koller, who died in 1871, was the father of the painter of the same name and, according to contemporary sources, an excellent connoisseur of a wide variety of art. His collection, sold in Vienna in 1872, comprised some 4268 lots of everything from drawings by Cranach, Holbein, Dürer, Rembrandt, Brueghel and Mantegna, paintings, sculpture, remarkable Persian and Indian miniatures, books to, of course, prints, mostly German and Netherlandish, though also a group by Claude Lorrain.
Wilhelm Koller (L. 2632). Koller, who died in 1871, was the father of the painter of the same name and, according to contemporary sources, an excellent connoisseur of a wide variety of art. His collection, sold in Vienna in 1872, comprised some 4268 lots of everything from drawings by Cranach, Holbein, Dürer, Rembrandt, Brueghel and Mantegna, paintings, sculpture, remarkable Persian and Indian miniatures, books to, of course, prints, mostly German and Netherlandish, though also a group by Claude Lorrain.
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$900.00 |  |
