SIXTY ORIGINAL DRAWINGS BY PRINT MAKERS
(American, British and Continental, 19th-20th Century)
(American, British and Continental, 19th-20th Century)
- Hervier, Une Femme
- Lalauze, La Compagnie Félicite
- Raffet, A Group of Men
- Steinlen, Head of a Man
- Ribot, Studies of a Left Hand
- Bèjot, Sur la Marne
- Carrière, Two Figures
- de Beaumont, “Je te reconnaitras bien…’’
- Bone, Winter near Aylmerton
- Bone, A Back Street
- Blampied, Deux Précieux
- Haden, English Landscape
- Haden, Sketches for “Greenwich”
- Howarth, A Street in Montreuil
- Auerbach-Levy , Caricature Portrait of Eugene O’Neill
- Kinney, Female Nude
- Singer, Shipping in the River
- de Martelly, Scene in an Inn
- Higgins, Peering Cat
- Hopkins, Pattern Designs
- Church,The Old Log Tavern
- Nisbet, Farm Buildings
- Thorne, Running Horse
- Capraro ,The Massacre of the Innocents
- Vierge, "Pablo de Segovia"
- Müller, Pianist
- Gaillard, Empress Catherine
- Lepic, La Cigogne
- van ‘s Gravesande, Katwyk
- Besnard, Eve
- Webster, Voiliers à Venise
- Webster, Farm House
- Prouvé, Design for a Leather Book Binding
- Buhot, Idée de Premier Frontispice pour "L’Ensorcelée"
- Buhot, Peasant Women
- Bléry, Osmonde et Taminier
- Lançon, An Arrest
- Pascin, Female Nude Study
- Trimolet, December
- Appian, Traveler in a Forest
- Calvert, Woodland Stream
- Calvert, Draped Female
- Giddens, Gerona, Spain
- McBey, Santa Cruz, California
- Dehn, Central Park, NYC
- Brockhurst, Anthea
- Petitjean, Portrait
- Cameron, Chinon
- MacLaughlan, Argentière
- Covarrubias, Billy Rose
- Forain, La Pluie d’Or
- Citon, Head of a Woman
- Kelsey, Village Street, Mexico
- Hart, Speaker and Listener
- Kupka, Robed Monk
- Chauvel, Pont de Sichol, Thiers
- Roussel, Ornament Study
- Raffaëlli, La Bièvre
- Lepere, Flooded Countryside
- Lalanne, Vast Pasture
Katwyk
Black chalk on yellowish wove paper, 1885, 232 x 329 mm. A fine sketch by this once world famous and now sadly neglected Dutch printmaker, signed, dated and inscribed with the location.
Katwyk, or Katwijk, is in southern Holland on the shores of the North Sea. Though Storm was primarily an etcher – and a fine one – the drawing is more of a lithographer’s conception. The detail given is only enough to define elements, not to describe them. The point of the drawing is spatial organization and atmosphere and that is very well done.