SIXTY ORIGINAL DRAWINGS BY PRINT MAKERS
(American, British and Continental, 19th-20th Century)
(American, British and Continental, 19th-20th Century)
- Hervier, Une Femme
- Lalauze, La Compagnie Félicite
- Raffet, A Group of Men
- Steinlen, Head of a Man
- Ribot, Studies of a Left Hand
- Bèjot, Sur la Marne
- Carrière, Two Figures
- de Beaumont, “Je te reconnaitras bien…’’
- Bone, Winter near Aylmerton
- Bone, A Back Street
- Blampied, Deux Précieux
- Haden, English Landscape
- Haden, Sketches for “Greenwich”
- Howarth, A Street in Montreuil
- Auerbach-Levy , Caricature Portrait of Eugene O’Neill
- Kinney, Female Nude
- Singer, Shipping in the River
- de Martelly, Scene in an Inn
- Higgins, Peering Cat
- Hopkins, Pattern Designs
- Church,The Old Log Tavern
- Nisbet, Farm Buildings
- Thorne, Running Horse
- Capraro ,The Massacre of the Innocents
- Vierge, "Pablo de Segovia"
- Müller, Pianist
- Gaillard, Empress Catherine
- Lepic, La Cigogne
- van ‘s Gravesande, Katwyk
- Besnard, Eve
- Webster, Voiliers à Venise
- Webster, Farm House
- Prouvé, Design for a Leather Book Binding
- Buhot, Idée de Premier Frontispice pour "L’Ensorcelée"
- Buhot, Peasant Women
- Bléry, Osmonde et Taminier
- Lançon, An Arrest
- Pascin, Female Nude Study
- Trimolet, December
- Appian, Traveler in a Forest
- Calvert, Woodland Stream
- Calvert, Draped Female
- Giddens, Gerona, Spain
- McBey, Santa Cruz, California
- Dehn, Central Park, NYC
- Brockhurst, Anthea
- Petitjean, Portrait
- Cameron, Chinon
- MacLaughlan, Argentière
- Covarrubias, Billy Rose
- Forain, La Pluie d’Or
- Citon, Head of a Woman
- Kelsey, Village Street, Mexico
- Hart, Speaker and Listener
- Kupka, Robed Monk
- Chauvel, Pont de Sichol, Thiers
- Roussel, Ornament Study
- Raffaëlli, La Bièvre
- Lepere, Flooded Countryside
- Lalanne, Vast Pasture
View of Gerona, Spain
Pen and brown ink, brown and grey wash and white gouache over pencil, 372 x 282 mm. Giddens was born and worked in Georgia but studied in Paris. Primarily a print maker (he also painted), he belonged to that group of American artists who traveled extensively both here and in Europe and whose fascination was with architectural subjects. One might mention John Taylor Arms as the prototype. He enjoyed a certain success, both here and in Britain, and a number of his etchings are in museum collections. This drawing, however, seems to show more the influence of Muirhead Bone than of Arms, being less concerned with the famous edifice than with the smaller dwellings, the balconies, the people, the hanging laundry and other colorful detritus. The drawing is fully signed and inscribed with the location.