SIXTY ORIGINAL DRAWINGS BY PRINT MAKERS
(American, British and Continental, 19th-20th Century)
(American, British and Continental, 19th-20th Century)
- Hervier, Une Femme
- Lalauze, La Compagnie Félicite
- Raffet, A Group of Men
- Steinlen, Head of a Man
- Ribot, Studies of a Left Hand
- Bèjot, Sur la Marne
- Carrière, Two Figures
- de Beaumont, “Je te reconnaitras bien…’’
- Bone, Winter near Aylmerton
- Bone, A Back Street
- Blampied, Deux Précieux
- Haden, English Landscape
- Haden, Sketches for “Greenwich”
- Howarth, A Street in Montreuil
- Auerbach-Levy , Caricature Portrait of Eugene O’Neill
- Kinney, Female Nude
- Singer, Shipping in the River
- de Martelly, Scene in an Inn
- Higgins, Peering Cat
- Hopkins, Pattern Designs
- Church,The Old Log Tavern
- Nisbet, Farm Buildings
- Thorne, Running Horse
- Capraro ,The Massacre of the Innocents
- Vierge, "Pablo de Segovia"
- Müller, Pianist
- Gaillard, Empress Catherine
- Lepic, La Cigogne
- van ‘s Gravesande, Katwyk
- Besnard, Eve
- Webster, Voiliers à Venise
- Webster, Farm House
- Prouvé, Design for a Leather Book Binding
- Buhot, Idée de Premier Frontispice pour "L’Ensorcelée"
- Buhot, Peasant Women
- Bléry, Osmonde et Taminier
- Lançon, An Arrest
- Pascin, Female Nude Study
- Trimolet, December
- Appian, Traveler in a Forest
- Calvert, Woodland Stream
- Calvert, Draped Female
- Giddens, Gerona, Spain
- McBey, Santa Cruz, California
- Dehn, Central Park, NYC
- Brockhurst, Anthea
- Petitjean, Portrait
- Cameron, Chinon
- MacLaughlan, Argentière
- Covarrubias, Billy Rose
- Forain, La Pluie d’Or
- Citon, Head of a Woman
- Kelsey, Village Street, Mexico
- Hart, Speaker and Listener
- Kupka, Robed Monk
- Chauvel, Pont de Sichol, Thiers
- Roussel, Ornament Study
- Raffaëlli, La Bièvre
- Lepere, Flooded Countryside
- Lalanne, Vast Pasture
A Group of Men in Renaissance Dress
Pen and brown ink and wash over pencil, 1841, 163 x 103 mm. A fine, quick sketch on thin wove paper laid down to a stronger sheet, numbered 5 from an Italian sketchbook of the year 1841 and with a later pencil note of the year. Raffet, of course, was the brilliant and prolific lithographer who, along with his teacher Charlet, documented the Napoleonic era before going on to new styles and new subjects. In 1837 he traveled eastward and visited Hungary, Moldavia, Valachia, Smyrna, Constantinople and the Crimea and, after his return to Paris, published his Voyage en Crimée. Shortly after, he left for Italy, following the French army to the siege of Rome. This drawing dates from that time, though it has nothing to do with the siege and may have been sketched at a town festival.
$850.00 |