Affordable Drawings
from the 16th through the 20th century
from the 16th through the 20th century
- Vasari, Seven Bishop Saints
- Passarotti, Male Nude Study
- Castello, A Decapitation
- Wildens, A Hilly Path
- Florentine School , Floral Ornament
- Procaccini, Head of a Soldier
- French School, Head of Hercules
- Vlieger , Fishermen
- Gargiulo , Elevation of Saints
- Roos, Cattle and Sheep
- Cabel, River Landscape
- d'Onofri , Trees in a Landscape
- German School, The Coronation of the Virgin
- Heemskerck, Peasants Drinking
- Piola, St. Raymond
- Moucheron , Classical Figures in a Grove of Trees
- Chaufourrier, Solfatara
- Lantara , Storm over a Village
- Volaire , Neapolitan Boatman
- Monogramist Vh , Woodland Grove
- Bolognese School, Seated Warrior
- Galliari , Stage Set: Courtyard of a Farm
- Duclaux , Plants Growing in a Field
- Cruikshank , Standing Male
- Altmann , Wine Taster
- Decamps, Trees at the Villa
- Nanteuil , Two Figures
- Bodmer, Partridges
- Harpignies , Trees
- Marsaud, Harlequin
- Dehodencq, Three Sketches
- Delauney, Fruit Tree with Birds
- Dansaert , Brawl in a Tavern
- Chapu, Studies for ’’Une Source’’
- Vannutelli, Two Women Seated in a Church
- Lepère, Studies of Ladies Shopping
- Béjot, Pont de l'Alma
- Henricus, Japonisme
- Vuillard, Mme. Vuillard, Sewing at Her Window
- Couturier, Carnival Scene at Night
- Brockhurst, Chinese Group
- Stankavich, On the Frontier
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5. Florentine School (?) (17th century) Floral Ornament Panel with a Winged Figure |
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(click on image to print)
Floral Ornament Panel with a Winged Figure
Brown ink and wash over black chalk on laid paper, 172 x 426 mm. Provenance: LSL (?) (not in Lugt).
Drawn in line with total assurance and finished in wash, the sheet would seem to be a design for craftsman’s work, perhaps a sculpted panel for a fireplace (which would be mirrored by another panel on the left). The sheet is laid down, but through the backing can just be seen an old, brown ink but unreadable inscription, apparently in Italian, with the date 1621, which date is repeated recto far right in an ink different than that of the drawing. The facial type is close to some in drawings by Andrea Boscoli, but the sheet, though a handsome drawing, seems too generic for a specific attribution.
