THE THEATER
Prints and Drawings Of, In, For and About
Prints and Drawings Of, In, For and About
- Glintenkamp: Muse Thalia
- Callot: Soliman Act I
- Desperet, Molière : "L’Avare"
- Schaffhauser: Angelica
- Green: David Garrick, Esqr.
- Toulouse-Lautrec: Le Coiffeur
- Thew: Shakespeare: Hamlet
- Parigi: La Flora
- Sloan: The Green Hour
- Brocard: Design
- Brouwer: Het Winter Bosch
- Doré: Paons (Peacocks)
- Houston: Mr. Berry
- Guyot: Les Trois Sultanes
- Beerbohm: Coquelin Aîné
- Knight: At the Footlights
- Thew: King Henry the Fifth
- Anquetin: Le Théâtre Libre
- Say: Miss Mellon
- Fabbroni: Two Stage Settings
- Hogarth: Mr. Garrick
- Guérard: Marionette
- Edelinck: The Comic Actor
- Renouard: Le Fond de la Loge
- Watson: Lady Sarah Lennox
- Toulouse-Lautrec: Aux Variétés
- Ogborne: Henry the Sixth
- Doré: Seraphin
- Monogrammist WHN: The Riot at Covent Garden
- Janinet: Nina
- Régamey: A Figure from the Commedia dell’Arte
- Vuillard: Solnes, le Constructeur
- Circle of Delacroix: Mademoiselle George
- de Bruycker: Théâtre (Ténor)
- Audran: Design
- Bormann: The State Opera
- Desboutin: Dailly
- Toulouse-Lautrec: Yvette Guilbert
- Marceau: Three Clowns
- Rados: Stage Design
- Daumier: Carotte Dramatique
- Rops: Caricature Portrait
- Ibels: L’Amour S’Amuse
- Daumier: Les Théâtres
- Markham: The Show is Over
32. Edouard Vuillard (1868-1940) Programme pour le Théâtre de l’Oeuvre : Solnes, le Constructeur (The Master Builder) |
(click on image to print)
Programme pour le Théâtre de l’Oeuvre : Solnes, le Constructeur (The Master Builder)
Lithograph, 1894, 320 x 240 mm., Roger Marx 21, Aitken 63, Boyer 61. Unusually fine impression on thin, brownish wove paper with narrow margins outside the subject ; two small repaired edge tears. Ibsen’s great drama was produced in Paris, in French translation, in 1894 at the Salle des Bouffes
du Nord, for which representation Vuillard was commissioned to design the program. It is one of several he did for the Théâtre de l’Oeuvre as well as a lithograph of a rehearsal on stage there. Interestingly, the scene depicted by Vuillard does not actually occur in the play, being a compilation of the re-meeting of Solnes with a young lady who has idolized him since childhood and a vision, in the background, of the church he built ten years before in her home town.