THE THEATER
Prints and Drawings Of, In, For and About
Prints and Drawings Of, In, For and About
- Glintenkamp: Muse Thalia
- Callot: Soliman Act I
- Desperet, Molière : "L’Avare"
- Schaffhauser: Angelica
- Green: David Garrick, Esqr.
- Toulouse-Lautrec: Le Coiffeur
- Thew: Shakespeare: Hamlet
- Parigi: La Flora
- Sloan: The Green Hour
- Brocard: Design
- Brouwer: Het Winter Bosch
- Doré: Paons (Peacocks)
- Houston: Mr. Berry
- Guyot: Les Trois Sultanes
- Beerbohm: Coquelin Aîné
- Knight: At the Footlights
- Thew: King Henry the Fifth
- Anquetin: Le Théâtre Libre
- Say: Miss Mellon
- Fabbroni: Two Stage Settings
- Hogarth: Mr. Garrick
- Guérard: Marionette
- Edelinck: The Comic Actor
- Renouard: Le Fond de la Loge
- Watson: Lady Sarah Lennox
- Toulouse-Lautrec: Aux Variétés
- Ogborne: Henry the Sixth
- Doré: Seraphin
- Monogrammist WHN: The Riot at Covent Garden
- Janinet: Nina
- Régamey: A Figure from the Commedia dell’Arte
- Vuillard: Solnes, le Constructeur
- Circle of Delacroix: Mademoiselle George
- de Bruycker: Théâtre (Ténor)
- Audran: Design
- Bormann: The State Opera
- Desboutin: Dailly
- Toulouse-Lautrec: Yvette Guilbert
- Marceau: Three Clowns
- Rados: Stage Design
- Daumier: Carotte Dramatique
- Rops: Caricature Portrait
- Ibels: L’Amour S’Amuse
- Daumier: Les Théâtres
- Markham: The Show is Over
26. Henri de Toulouse-Lautrec (1864-1901) Aux Variétés : Mlle. Lender et Brasseur |
(click on image to print)
Aux Variétés : Mlle. Lender et Brasseur
Lithograph, 1893, 280 x 255 mm., Delteil 41, Adhèmar 44, Wittrock 31 iii/iii, signed in pencil. Wittrock records only four known impressions of this state (to which this must be added as a fifth), two in olive green, two in black, all but one unsigned, all in public collections. This, then, is one of two known pencil-signed impressions, the only one in private hands, on simili-japon and with the Kleinmann blind stamp (Lugt 1573), large, full margins and the impress of the lithographic stone visible in places. The Variétés was, and still is, a popular theater on the Boulevard de Montmartre. Marcelle Lender (1862-1926), singer, dancer and actress was a theatrical object of fascination for Lautrec, who portrayed her extensively in paintings and prints. He had no interest in her personally and she loathed him, which makes it all the more odd that her immortality rests almost entirely upon his depictions. The scene represented here is probably from Madame Satan, in which Lender appeared in 1893.