THE THEATER
Prints and Drawings Of, In, For and About
Prints and Drawings Of, In, For and About
- Glintenkamp: Muse Thalia
- Callot: Soliman Act I
- Desperet, Molière : "L’Avare"
- Schaffhauser: Angelica
- Green: David Garrick, Esqr.
- Toulouse-Lautrec: Le Coiffeur
- Thew: Shakespeare: Hamlet
- Parigi: La Flora
- Sloan: The Green Hour
- Brocard: Design
- Brouwer: Het Winter Bosch
- Doré: Paons (Peacocks)
- Houston: Mr. Berry
- Guyot: Les Trois Sultanes
- Beerbohm: Coquelin Aîné
- Knight: At the Footlights
- Thew: King Henry the Fifth
- Anquetin: Le Théâtre Libre
- Say: Miss Mellon
- Fabbroni: Two Stage Settings
- Hogarth: Mr. Garrick
- Guérard: Marionette
- Edelinck: The Comic Actor
- Renouard: Le Fond de la Loge
- Watson: Lady Sarah Lennox
- Toulouse-Lautrec: Aux Variétés
- Ogborne: Henry the Sixth
- Doré: Seraphin
- Monogrammist WHN: The Riot at Covent Garden
- Janinet: Nina
- Régamey: A Figure from the Commedia dell’Arte
- Vuillard: Solnes, le Constructeur
- Circle of Delacroix: Mademoiselle George
- de Bruycker: Théâtre (Ténor)
- Audran: Design
- Bormann: The State Opera
- Desboutin: Dailly
- Toulouse-Lautrec: Yvette Guilbert
- Marceau: Three Clowns
- Rados: Stage Design
- Daumier: Carotte Dramatique
- Rops: Caricature Portrait
- Ibels: L’Amour S’Amuse
- Daumier: Les Théâtres
- Markham: The Show is Over
20. Domenico Fabbroni (XVIIIth Century) Two Stage Settings for “L’Amor Contrastato or La Molinara” by Giovanni Paisiello |
(click on image to print)
Two Stage Settings for “L’Amor Contrastato or La Molinara” by Giovanni Paisiello
Other Images:
Watercolors, ca. 1788,
333 x 444 and 336 x 444 mm. La Molinara (it is slightly better known under that name), a comic opera, was first produced in Naples in 1788 and later in Hamburg, Berlin and Vienna. A similar but different stage setting, by Anton de Pian, for the Vienna production of 1790 is illustrated in Musikgeschichte im Bildern. Both settings here are interiors, a winery with casks and a dining room with card players. Both are on laid paper and one is signed outside the image; water stains and foxing visible only on the reverse. These designs may have been those for the first production.