Old Master Prints and Drawings
Selections
Selections
- Dürer, Knot
- Dürer, The Entry of Christ into Jerusalem
- Dürer, Peter and John Healing the Cripple
- Cranach, The Death of St. John
- Duvet, The Beast with Seven Heads and Ten Horns
- van Leyden, Joseph Interpreting Pharoah's Dreams
- Beham, Vertical Ornament with a Male Figure
- Beham, Hercules with Nemean Lion
- Beham, The Peasants' Feast
- Aldegrever, Ornament with a Child Holding Foliage
- Solis, Four Acrobats and a Monkey
- Lautensack, River Town & Cabin and Two Pines
- Cambiaso, Saint John the Evangelist
- Anonymous Italian, Designs for Relief Pilasters
- Carracci, Christ & Madonna Appearing
- after Goltzius, The Doctor as God the Saviour
- Collaert, Arion and the Dolphin
- Sadeler, Lamentation by Three Angels
- Brizio, An Extensive Landscape
- Frisius, The Old St. Anthony's Gate
- Serwouters, David Fighting the Bear
- Visscher, Het Dorp Middelaer
- Callot, Le Parterre de Nancy
- Callot, La Revanche des Paysans
- Jordaens, Christ Cleansing the Temple
- Swanevelt, The Little Waterfall
- Rembrandt, The Small Lion Hunt
- Rembrandt, Rembrandt with Cap
- Rembrandt, Christ & Woman of Samaria
- Circle of Rembrandt, Adam Naming the Animals
- Dubois, River Landscape
- Wyngaerde, The Dream of Silenus
- Bol, Portrait of an Officer
- Attributed to Koninck, Manoah's Sacrifice
- Weyer, Cavalry Battle
- Everdingen, Round Landscape with a Wooden Bridge
- Nooms, The Four Elements
- Nooms, The Nieuwe Reguliers Gate
- d' Onofri, Apollo and a Nymph Leading a Lion
- Giordano, Christ & Veronica on the Road to Calvary
- Robinson, Banquet Piece with a Tobacco Jar
- Robinson, Banquet Piece with Covered Bowl, Lobster and Game
- Tavella, Farm Scene in a Landscape
- Boitard, God the Father Supported by Angels
- Diziani, The Martyrdom of St. Andrew
- Canaletto, View of a Town on a River Bank
- Canaletto, Al Dolo
- Subleyras, La Madeleine aux Pieds de Jesus
- Tiepolo, The Flight into Egypt
- Robert, Villa Conti, Frascati
- Moreau, Harbor Scene with Figures
Le Parterre de Nancy
Etching, 1625, 258 x 385 mm., Lieure 566 i/ii. A fine, clear impression of the first state, before the addition of Silvestre's address and before the distant background wore out, on laid paper without visible watermark, narrow margins all around with small losses from the margin at the lower left edge; a few small stains and creases. The image is an extensive view of the garden parterre with hundreds of figures.