THE SEVENTEENTH CENTURY
A World Of Interpretations
A World Of Interpretations
- Gandini, Madonna and Child
- de Bry, Eleazar and Rebecca
- de Bry, The Venetian Ball
- Jamnitzer, Three Genii
- Saenredam, Paris and Oenone
- Muller, Johann Neyen
- Major, View of a River
- Elsheimer, Tobias
- van Sichem, The Musicians
- Cantagallina , Ship of Amerigo
- Ribera, The Poet
- Callot, Cap. Spessa Monti
- Callot, Vue du Pont Neuf
- van de Velde, Aer
- Schut, Martyrdom of St. George
- after van Dyck, Lucas van Uden
- Lorrain, Les Quatre Chèvres
- Franck, Soldiers Drinking
- Bosse, The Prodigal Son
- Mauperché, La Bergère Assise
- van Scheyndel, Peasant Woman
- Pérelle, Evening Landscape
- van den Steen, Saint Pepin
- Janssen, The Four Elements
- Matham, Phyllis
- Grimaldi, Landscape
- Grimaldi, Three Boats
- Rembrandt, Jan Cornelis Sylvius
- Rembrandt, The Flight into Egypt
- Rembrandt, Lieven van Coppenol
- Lievens, Jacques Gaultier
- Hollar, Caricature Head
- Attributed to Jan Fyt , Pigeons
- Della Bella, Le Reposoir du Saint Sacrement
- Della Bella, A Pikeman Standing
- van Ostade, Man and Woman
- van Ostade, The Singers
- Dubois, Extensive Landscape
- Carpioni, Madonna
- Chauveau, Timbalier et Trompette Turcs
- Faithorne, Thomas Mace
- Castiglione, The Nativity
- Master CpP, Apollo Flaying
- Stoop, Bridled Horse
- Berchem, The Rest
- Courtois, A Cavalry Battle
- Nanteuil, Godefroy-Maurice de la Tour d’Auvergne
- Nanteuil, Pierre Séguier
- van der Ulft, Aqueduct
- van der Ulft, Villa on a Hill
- Visscher, The Gypsy Woman
- Bega, The Family
- van Heemskerck, Peasants
- Thuenkel, Floral Ornaments
- van Somer, The Drinker Asleep
- Anonymous English, Faiths
- Meyer, Landscape with Trees
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43. Giovanni Pietro Possenti (Master CpP) (1618-1658) Apollo Flaying Marsyas |
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(click on image to print)

Apollo Flaying Marsyas
Etching, Bartsch XIX-185-5 (as CpP), 145 x 217 mm., ex collection Alianello (Lugt 5 k). Very fine, inky impression on laid paper with the watermark of a six-pointed star (similar to Briquet 6033 -- Trento, 1562), with narrow margins; a well-made restoration at the left edge, mostly in blank paper, with two lines continued in pen and ink, traces of a vertical crease at the right. The print is signed with the monogram CpP, which has often been read as GP and the print assigned to the German artist Georg Pecham, as were all the others in the group. The artist is now known to be Possenti, a Bolognese painter and etcher. Princeton University appears to have the largest collection of these etchings. This print, of great rarity, has not appeared at auction in the last twenty years under any name.