40 YEARS 40
our fortieth-anniversary show
our fortieth-anniversary show
- French School, Adoration of the Shepherds
- Mantegna, Bacchanal with a Wine Vat
- Robetta, Adoration of the Magi
- Dürer, The Virgin with the Infant Child
- van Leyden, St. Francis of Assisi
- Altdorfer, Dido
- after Raphael, Raphael and His Mistress
- Pencz, The Taking of Carthage
- Brosamer, Nude Woman in Profile
- Barocci, Madonna and Child in the Clouds
- Zucchi, Design for an Ornate Ceiling
- Goudt, Tobias with the Angel
- Della Bella, Le Reposoir du Saint Sacrement
- Rembrandt, Woman Sitting Half-Dressed Beside a Stove
- Challe, Fantasy Capriccio of a Roman Palace
- Piranesi, St. Peter’s
- Bonet, The Lady ta King Coffee; The Milk Woman
- Goya, Felipe IV, Rey de España
- Meryon, Saint-Etienne-du-Mont, Paris
- Whistler, Thames Police
- Manet, Queue Devant la Boucherie (Siège de Paris)
- Doré, Children’s Ward in a London Hospital
- Buhot, La Maison Maudite
- Guérard, Eventail: Oiseaux dans les Roseaux
- Rivière, La Village de La Chapelle
- Auriol, Bois Frissonnants
- Lepère, Les Laveuses (Les Blanchisseuses)
- Toulouse-Lautrec , La Troupe de Mademoiselle Eglantine
- Cezanne, Self Portrait at the Easel
- Sloan, Turning Out the Light
- Goodwin, Durham with the Cathedral
- Villon, Musiciens Chez le Bistro
- Kollwitz, Selbstbildnis
- McBey, Farm Scene at Hatford
- Beckmann, Umarmung (Embrace)
- Drewes, The City (Carcassonne)
- Sutherland, Number Forty-Nine
- de Chirico, Scuola di Gladiatori II
- Friedlander, 3 A.M.
- Marsh, Coney Island Beach
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7. Anonymous Italian after Raphael (1483-1520) Raphael and His Mistress |
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(click on image to print)
Raphael and His Mistress
Chiaroscuro woodcut from four blocks, Bartsch 3 i/ii, Servolini (Ugo da Carpi) 11 IIA, Chatsworth Sale (Christie’s London, 1985) lot 119 note, i/ii, 292 x 226 mm.,ex collection Giuseppe Storck, Milano, 1799 (Lugt 2319). Fine, deeply impressed impression on laid paper with an indistinct circular watermark, printed from four blocks (black and three shades of ochre), slightly trimmed at the top, the remainder apparently complete. Like the Chatsworth impression (which has a similarly described watermark), the shadow in the doorway is unbroken at the top (partially broken here at the bottom). This, then, is earlier (an earlier state) than the MMA impression reproduced in TIB. The dimensions are slightly smaller than the Chatsworth impression but the composition is complete except at the very top. An ink dot (printer's ink?) above the man's head and ink smudges verso. The Chatsworth catalog mentions that the composition may be after Polidoro, though it is conventionally catalogued as after Raphael. RARE.
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$8,500.00 |  |
