40 YEARS 40
our fortieth-anniversary show
our fortieth-anniversary show
- French School, Adoration of the Shepherds
- Mantegna, Bacchanal with a Wine Vat
- Robetta, Adoration of the Magi
- Dürer, The Virgin with the Infant Child
- van Leyden, St. Francis of Assisi
- Altdorfer, Dido
- after Raphael, Raphael and His Mistress
- Pencz, The Taking of Carthage
- Brosamer, Nude Woman in Profile
- Barocci, Madonna and Child in the Clouds
- Zucchi, Design for an Ornate Ceiling
- Goudt, Tobias with the Angel
- Della Bella, Le Reposoir du Saint Sacrement
- Rembrandt, Woman Sitting Half-Dressed Beside a Stove
- Challe, Fantasy Capriccio of a Roman Palace
- Piranesi, St. Peter’s
- Bonet, The Lady ta King Coffee; The Milk Woman
- Goya, Felipe IV, Rey de España
- Meryon, Saint-Etienne-du-Mont, Paris
- Whistler, Thames Police
- Manet, Queue Devant la Boucherie (Siège de Paris)
- Doré, Children’s Ward in a London Hospital
- Buhot, La Maison Maudite
- Guérard, Eventail: Oiseaux dans les Roseaux
- Rivière, La Village de La Chapelle
- Auriol, Bois Frissonnants
- Lepère, Les Laveuses (Les Blanchisseuses)
- Toulouse-Lautrec , La Troupe de Mademoiselle Eglantine
- Cezanne, Self Portrait at the Easel
- Sloan, Turning Out the Light
- Goodwin, Durham with the Cathedral
- Villon, Musiciens Chez le Bistro
- Kollwitz, Selbstbildnis
- McBey, Farm Scene at Hatford
- Beckmann, Umarmung (Embrace)
- Drewes, The City (Carcassonne)
- Sutherland, Number Forty-Nine
- de Chirico, Scuola di Gladiatori II
- Friedlander, 3 A.M.
- Marsh, Coney Island Beach
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39. Isac Friedlander (1890-1968) 3 A.M. |
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(click on image to print)
3 A.M.
Etching, 1933, 234 x 395 mm. Very fine impression on a slightly uneven sheet of thick wove paper with full margins, titled, numbered, dated and inscribed with the artist's name in pencil and countersigned with initials GF (Gilda Friedlander) by the artist's widow; slight time staining in the margins. The projected edition was to be 50 but the actual printing was probably far less. Unsigned impressions were initialed by Mrs. Friedlander as they were sold. The striking image shows an early morning scene on the Lexington Avenue local subway train in New York City. It is among Friedlander’s best prints and one of the best American prints of its type. Friedlander was born in Latvia, studied in Italy and eventually came to live on West End Avenue in New York City.
