40 YEARS 40
our fortieth-anniversary show
our fortieth-anniversary show
- French School, Adoration of the Shepherds
- Mantegna, Bacchanal with a Wine Vat
- Robetta, Adoration of the Magi
- Dürer, The Virgin with the Infant Child
- van Leyden, St. Francis of Assisi
- Altdorfer, Dido
- after Raphael, Raphael and His Mistress
- Pencz, The Taking of Carthage
- Brosamer, Nude Woman in Profile
- Barocci, Madonna and Child in the Clouds
- Zucchi, Design for an Ornate Ceiling
- Goudt, Tobias with the Angel
- Della Bella, Le Reposoir du Saint Sacrement
- Rembrandt, Woman Sitting Half-Dressed Beside a Stove
- Challe, Fantasy Capriccio of a Roman Palace
- Piranesi, St. Peter’s
- Bonet, The Lady ta King Coffee; The Milk Woman
- Goya, Felipe IV, Rey de España
- Meryon, Saint-Etienne-du-Mont, Paris
- Whistler, Thames Police
- Manet, Queue Devant la Boucherie (Siège de Paris)
- Doré, Children’s Ward in a London Hospital
- Buhot, La Maison Maudite
- Guérard, Eventail: Oiseaux dans les Roseaux
- Rivière, La Village de La Chapelle
- Auriol, Bois Frissonnants
- Lepère, Les Laveuses (Les Blanchisseuses)
- Toulouse-Lautrec , La Troupe de Mademoiselle Eglantine
- Cezanne, Self Portrait at the Easel
- Sloan, Turning Out the Light
- Goodwin, Durham with the Cathedral
- Villon, Musiciens Chez le Bistro
- Kollwitz, Selbstbildnis
- McBey, Farm Scene at Hatford
- Beckmann, Umarmung (Embrace)
- Drewes, The City (Carcassonne)
- Sutherland, Number Forty-Nine
- de Chirico, Scuola di Gladiatori II
- Friedlander, 3 A.M.
- Marsh, Coney Island Beach
Children’s Ward in a London Hospital
Pen and brown ink over pencil on thick wove paper, ca. 1872, 348 x 278 mm., ex collection: Mme. Daniel Dollfus (sale 1912, some drawings purchased by the Louvre).
This is Doré’s preliminary, but complete, study for the wood-engraved plate in London, a Pilgrimage, published in 1872. Doré was a great and prolific artist whose primary medium was that of literary illustration. His illustrations for Don Quixote, Paradise Lost and The Divine Comedy are so well known as to define, for many generations, the actual physical appearance of the places and personages of those literary masterpieces. In 1869, Doré was commissioned, for a large sum of money, to spend three months a year in London and produce a set of images for a “portrait” of the city. The work was wildly successful, but drew the criticism that it appeared to concentrate on poverty -- precisely the element that has made its illustrations outlive their time and rise far above the pretty, touristy images that prevailed in Victorian England. The drawing is signed in ink and bears the artist’s dedication to Mme. Dollfus.