Undervalued Artist$
- Nothnagel: Peasant and Wife
- Nothnagel: Dr. Senckenberg
- Nothnagel: A Young Man
- Nothnagel: A Bearded Old Man
- Nothnagel: Portrait of a Turk
- Nothnagel: Portrait of Ali Bey
- Nothnagel: Prince Radzivil
- Nothnagel: Peasant with Pipe
- Nothnagel: Portrait of an Artist
- Legros: Paysanne des Environs de Boulogne
- Legros: ''La Femme au Panier''
- Legros: Les Faiseurs de Fagots
- Legros: L'Entrée du Champ
- Legros: Les Marais
- Legros: Le Village Abandonné
- Legros: Les Vieilles Carrières de Montrouge
- Legros: Lisière de Forêt
- Legros: La Vallée des Dunes
- Legros: La Passerelle
- Legros: Le Bruleur d'Herbes,
- Cameron: The Veteran
- Cameron: A Canal: Amsterdam
- Cameron: Cour des Bons Enfants, Rouen
- Cameron: The Gargoyles, Stirling Castle
- Cameron: Murthly on the Tay
- Cameron: The Gateway of Bruges
- Cameron: Old Bridge, Whitby
- Cameron: Arran Peaks
- Cameron: Kerrera, No. 1
- Cameron: Skye
- MacLaughlan: St. Ouen, Rouen
- MacLaughlan: Ruelle du Pecheur
- MacLaughlan: Le Vieux Fort d'Ambleteuse en 1902
- MacLaughlan: Emilia
- MacLaughlan: Draught Horses
- MacLaughlan: Houses on the Aare, Switzerland
- MacLaughlan: The Hill City (San Gimignano)
- MacLaughlan: Leaves of Asolo
- MacLaughlan: On the Brenta (Veneto)
- MacLaughlan: Landscape with Bathers
- Winkler: Oriental Shop
- Winkler: Russian Hill
- Winkler: Pals
- Winkler: Alameda
- Winkler: Shipping
- Winkler: Le Petit Brocanteur
- Winkler: La Marchande de Legumes
- Winkler: Le Marchand d'Habits
- Winkler: Farmyard, Normandy
- Winkler: Dusk at Fisherman's Wharf
Oriental Shop
Etching, 1916, 122 x 175 mm., Winkler 18.
Many years ago the name John Winkler almost always elicited the response, "America's greatest etcher." Nowadays, he is virtually a forgotten man. But Winkler, who created Whistler-like etchings probably before he had ever seen a Whistler etching, and who was producing high-quality and individual prints of urban scenes as early as Sloan and Hassam and well before Marsh, Arms or Lewis is hardly an artist to be forgotten. His best work is of San Francisco, the wharves and Chinatown. Like Whistler, working directly on the plate with no preliminary pencil drawing, he evoked scene and mood with sympathetic humor and his images bring to us a place and life-style that survive today only fragmentarily. He drew beautifully, if idiosyncratically, and etched expertly. At today's prices, his prints are cheap for the quality. A fine impression on cream wove paper with full margins, signed in pencil.