Sixteenth Century Northern Engraving & Etching
- Master MZ: Aristotle and Phyllis
- Dürer: Virgin & Child
- Dürer: Virgin & Child Crowned
- Dürer: Frederick the Wise
- Dürer: Saint Philip
- van Leyden: Triumph of David
- Zundt: Arrest of Baumgartner
- Hopfer: Charles V
- Beham: The Expulsion
- Beham: Mask Held by 2 Genii
- Beham: Mask Held by 2 Genii
- Brosamer: The Lute Player
- Pencz: Artemisia Preparing to Drink
- Pencz: Johann Friedrich
- Monogrammist CP : Dido
- Aldegrever: Dagger Sheath Design
- Aldegrever: Ornament with a Bat
- Hirschvogel: David's Triumph
- Hirschvogel: The Defeat and Death
- Claesz: Allegory with a Woman
- Massys: Two Crippled Musicians
- Cock: Colossaei
- Cock: Landscape with a Castle
- Ladenspelder: The Four Evangelists
- Brun: Two Turkish Men
- Suavius: Saint Paul Seated
- Delaune: Combat of the Centaurs
- Davent: Alexander Mastering Bucephalus
- Davent: Un Marais
- Thibaud: Hagar Gives Ishmael a Jug
- Woeiriot: Battaile de Constantin
- Galle: Solomon Building
- Sadeler: St. Paul at Corinth
- Wierex: Henry III
- Goltzius: Arnoud van Beresteyn
- Goltzius: Mercury and Argus
- Goltzius: A Young Man
- Collaert : January
- Collaert : Musical Celebration
- Collaert: David Playing the Harp
- van de Passe: Christian IV
- Muller: Belshazzar's Feast
24. Johann Ladenspelder (1512-after 1561) The Four Evangelists (complete set) |
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The Four Evangelists (complete set)
Engraving, 1549, 127 x 91 mm., Bartsch IX 5-8, Hollstein 20-23. Provenance: Friedrich August II of Saxony (Lugt 971). The set of four engravings, exceedingly rare.
Very fine impressions, comparable to, or better than, the Berlin impressions reproduced in The Illustrated Bartsch, Vol. 18, on laid paper trimmed on or along the platemark; a few pale stains. The evangelists are shown, with their attributes, seated, three of them writing their gospels, Luke painting his portrait of the Virgin. All the works are signed with the artist's monogram and that of St. John is dated 1549. Ladenspelder, frequently known as Johann Ladenspelder von Essen though he worked in Cologne, is among the most interesting and original of the less-known German engravers in the first half of the century.