Sixteenth Century Northern Engraving & Etching
- Master MZ: Aristotle and Phyllis
- Dürer: Virgin & Child
- Dürer: Virgin & Child Crowned
- Dürer: Frederick the Wise
- Dürer: Saint Philip
- van Leyden: Triumph of David
- Zundt: Arrest of Baumgartner
- Hopfer: Charles V
- Beham: The Expulsion
- Beham: Mask Held by 2 Genii
- Beham: Mask Held by 2 Genii
- Brosamer: The Lute Player
- Pencz: Artemisia Preparing to Drink
- Pencz: Johann Friedrich
- Monogrammist CP : Dido
- Aldegrever: Dagger Sheath Design
- Aldegrever: Ornament with a Bat
- Hirschvogel: David's Triumph
- Hirschvogel: The Defeat and Death
- Claesz: Allegory with a Woman
- Massys: Two Crippled Musicians
- Cock: Colossaei
- Cock: Landscape with a Castle
- Ladenspelder: The Four Evangelists
- Brun: Two Turkish Men
- Suavius: Saint Paul Seated
- Delaune: Combat of the Centaurs
- Davent: Alexander Mastering Bucephalus
- Davent: Un Marais
- Thibaud: Hagar Gives Ishmael a Jug
- Woeiriot: Battaile de Constantin
- Galle: Solomon Building
- Sadeler: St. Paul at Corinth
- Wierex: Henry III
- Goltzius: Arnoud van Beresteyn
- Goltzius: Mercury and Argus
- Goltzius: A Young Man
- Collaert : January
- Collaert : Musical Celebration
- Collaert: David Playing the Harp
- van de Passe: Christian IV
- Muller: Belshazzar's Feast
Frederick the Wise, Elector of Saxony
Engraving, 1524, 193 x 126 mm., Bartsch 104, Meder 102 b (of e).
A fine impression with contrast, printed with ink tone on the plate (as specified by Meder for b impressions), on laid paper without visible watermark (again, as specified by Meder for b), trimmed on or just inside the platemark, in good condition except for a tiny repair or restoration at the tip of the lower left corner. Frederick III (1463-1525) was Elector of the Holy Roman Empire and Duke of Saxony, a founder of the University of Wittenberg and a supporter of the Reformation although he never openly espoused Lutheranism. He was also one of Dürer's earliest patrons. As with several other of Dürer's portraits, the eyes reflect the windows of the room, a small but clever affectation strongly objected to by the critic John Ruskin.