Sixteenth Century Northern Engraving & Etching
- Master MZ: Aristotle and Phyllis
- Dürer: Virgin & Child
- Dürer: Virgin & Child Crowned
- Dürer: Frederick the Wise
- Dürer: Saint Philip
- van Leyden: Triumph of David
- Zundt: Arrest of Baumgartner
- Hopfer: Charles V
- Beham: The Expulsion
- Beham: Mask Held by 2 Genii
- Beham: Mask Held by 2 Genii
- Brosamer: The Lute Player
- Pencz: Artemisia Preparing to Drink
- Pencz: Johann Friedrich
- Monogrammist CP : Dido
- Aldegrever: Dagger Sheath Design
- Aldegrever: Ornament with a Bat
- Hirschvogel: David's Triumph
- Hirschvogel: The Defeat and Death
- Claesz: Allegory with a Woman
- Massys: Two Crippled Musicians
- Cock: Colossaei
- Cock: Landscape with a Castle
- Ladenspelder: The Four Evangelists
- Brun: Two Turkish Men
- Suavius: Saint Paul Seated
- Delaune: Combat of the Centaurs
- Davent: Alexander Mastering Bucephalus
- Davent: Un Marais
- Thibaud: Hagar Gives Ishmael a Jug
- Woeiriot: Battaile de Constantin
- Galle: Solomon Building
- Sadeler: St. Paul at Corinth
- Wierex: Henry III
- Goltzius: Arnoud van Beresteyn
- Goltzius: Mercury and Argus
- Goltzius: A Young Man
- Collaert : January
- Collaert : Musical Celebration
- Collaert: David Playing the Harp
- van de Passe: Christian IV
- Muller: Belshazzar's Feast
38. Adriaen Collaert (1560-1618) after Hans Bol January (The Angel Tells Joseph to Flee to Egypt) |
(click on image to print)
January (The Angel Tells Joseph to Flee to Egypt)
Engraving, 1585, 151 x 206 mm., Hollstein 511, LeBlanc 404 from The Months (The Life of Christ).
Very good impression on laid paper with narrow margins on three sides, trimmed just inside the platemark at the base, the text complete; a few pale stains. The work is one of a set of the Months (with astrological signs), illustrated with scenes from the life of Christ. The reference here is to Matthew 2. At the left, the angel wakes the sleeping Joseph in the stable and tells him to take Mary and the child and flee to Egypt. At the right, they are seen travelling off, Mary on the donkey. The scene is set in a landscape of bare trees and a fortified town on a hill by a large river. Collaert, working in a commercial environment, was happy to mix sacred elements with secular to broaden the sales appeal of his prints.