LANDSCAPE AND MEMORY
- d'Onofri, Landscape with Battus
- after Brueghel, Alpine Landscape
- School of Antwerp, Imaginary Landscape
- Sadeler, Facade of a Temple
- van Noort, Landscape with the Temple
- Davent, Landscape with Ancient Ruins
- att. to Pozzoserato, Mountainous Landscape
- van de Velde II , Interior of the Ruins
- Waterloo, Two Travelers
- Grimaldi, Landscape
- Saftleven, Landscape with a Man
- Barrière, View of the Town
- Monti, Landscape with a River
- Meyeringh, Landscape with Mercury
- Bout, The Skaters
- Lelu, A Town in Portugal
- Dietricy, Heroic Landscape
- Le Loup , View of the Town
- att. to Verrijk , River Scene
- Kolbe, Landscape with a Cowherd
- Roos, Vast Mountainous Landscape with Herds
- Roman School, Lago d’Albano,
- Isabey, Ruines du Château
- Williams, A Part of Melrose Abbey
- Palmer, The Morning of Life
- Richardson, Loggers by a Lake
- att. to Preller, Oak Trees
- Lalanne, Plage des Vaches
- Miller, A Road in Winter
- Haden, Sunset in Ireland
- Doeleman, Stormy Sky
- Meryon, Nouvelle Zélande
- Latenay, Autumn Trees
- German School, Birches
- Cameron, Ben Lomond
- Yeats, July 4, 1908
- MacLaughlan, Rossinières
- Cotton, Spring Landscape
- Legros, Une Vallée
- Torre-Bueno, Farmlands
- Jungnickel, Loser - Altaussee
- Komjati, Willows
- Wengenroth, Bucks County
- Kantor, Abstracted Landscape
- Eby, Christmas Trees
- Massen, Landscape with Trees
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6. Léon Davent (Master L.D.) ? (fl. 1540-1565) Landscape with Ancient Ruins and Three River Gods |
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(click on image to print)

Landscape with Ancient Ruins and Three River Gods
Etching, ca. 1550, Herbet 212 ? and ref. Zerner L.D. 95, 163 x 240 mm. Fine impression on laid paper with the watermark of a crescent and flower above the name EDMONDENISE (Briquet 5304, France, Netherlands, Germany, 1559-1588), with narrow margins on all sides.
Of all the prints associated with the School of Fontainebleau, perhaps the most mysterious, and certainly the least studied, is the group of small landscape etchings, possibly after Jean Cousin the Younger, generally ascribed to Léon Davent. A number of those prints are signed with an L.D. monogram, but some (such as this one) are not. Zerner has suggested that those that lack the monogram may have been both designed and etched by Cousin the Younger, although not every print today given to Davent is signed by him. Whatever the authorship, this is a strange image, the river gods in the foreground setting off a hilly landscape with the most mutually contradictory architectural elements imaginable, as if individual memories were juxtaposed in a dream. Though most, if not all of these elements might perhaps be found in Rome, their arrangement here is not to be found anywhere in reality. Needless to say, a rare print, virtually never on the market.