LANDSCAPE AND MEMORY
- d'Onofri, Landscape with Battus
- after Brueghel, Alpine Landscape
- School of Antwerp, Imaginary Landscape
- Sadeler, Facade of a Temple
- van Noort, Landscape with the Temple
- Davent, Landscape with Ancient Ruins
- att. to Pozzoserato, Mountainous Landscape
- van de Velde II , Interior of the Ruins
- Waterloo, Two Travelers
- Grimaldi, Landscape
- Saftleven, Landscape with a Man
- Barrière, View of the Town
- Monti, Landscape with a River
- Meyeringh, Landscape with Mercury
- Bout, The Skaters
- Lelu, A Town in Portugal
- Dietricy, Heroic Landscape
- Le Loup , View of the Town
- att. to Verrijk , River Scene
- Kolbe, Landscape with a Cowherd
- Roos, Vast Mountainous Landscape with Herds
- Roman School, Lago d’Albano,
- Isabey, Ruines du Château
- Williams, A Part of Melrose Abbey
- Palmer, The Morning of Life
- Richardson, Loggers by a Lake
- att. to Preller, Oak Trees
- Lalanne, Plage des Vaches
- Miller, A Road in Winter
- Haden, Sunset in Ireland
- Doeleman, Stormy Sky
- Meryon, Nouvelle Zélande
- Latenay, Autumn Trees
- German School, Birches
- Cameron, Ben Lomond
- Yeats, July 4, 1908
- MacLaughlan, Rossinières
- Cotton, Spring Landscape
- Legros, Une Vallée
- Torre-Bueno, Farmlands
- Jungnickel, Loser - Altaussee
- Komjati, Willows
- Wengenroth, Bucks County
- Kantor, Abstracted Landscape
- Eby, Christmas Trees
- Massen, Landscape with Trees
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12. Dominique Barrière (ca. 1615-1678) View of the Town of Frascati (Civitatis Tusculanae) |
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(click on image to print)

View of the Town of Frascati (Civitatis Tusculanae)
Etching, 1647, from the set Villa Aldobrandini, Robert-Dumesnil 147, 273 x 402 mm. Fine, clear impression on fairly thick laid paper, trimmed on the platemark but outside the borderline and with the full text below; a slightly disturbing vertical center fold, split at the very bottom.
The view was meant to show the Villa Aldobrandini (on the hill at the right) in its greater topographical setting. Frascati (the ancient town was Tusculum) is located southeast of Rome in the Alban Hills. Though the intent here is topographical, the etching has aesthetic quality because Barrière was an artist, not a cartographer. The view is sufficiently poetic as to call up memories from those who have been there and put ideas into the heads of those who have not.