LANDSCAPE AND MEMORY
- d'Onofri, Landscape with Battus
- after Brueghel, Alpine Landscape
- School of Antwerp, Imaginary Landscape
- Sadeler, Facade of a Temple
- van Noort, Landscape with the Temple
- Davent, Landscape with Ancient Ruins
- att. to Pozzoserato, Mountainous Landscape
- van de Velde II , Interior of the Ruins
- Waterloo, Two Travelers
- Grimaldi, Landscape
- Saftleven, Landscape with a Man
- Barrière, View of the Town
- Monti, Landscape with a River
- Meyeringh, Landscape with Mercury
- Bout, The Skaters
- Lelu, A Town in Portugal
- Dietricy, Heroic Landscape
- Le Loup , View of the Town
- att. to Verrijk , River Scene
- Kolbe, Landscape with a Cowherd
- Roos, Vast Mountainous Landscape with Herds
- Roman School, Lago d’Albano,
- Isabey, Ruines du Château
- Williams, A Part of Melrose Abbey
- Palmer, The Morning of Life
- Richardson, Loggers by a Lake
- att. to Preller, Oak Trees
- Lalanne, Plage des Vaches
- Miller, A Road in Winter
- Haden, Sunset in Ireland
- Doeleman, Stormy Sky
- Meryon, Nouvelle Zélande
- Latenay, Autumn Trees
- German School, Birches
- Cameron, Ben Lomond
- Yeats, July 4, 1908
- MacLaughlan, Rossinières
- Cotton, Spring Landscape
- Legros, Une Vallée
- Torre-Bueno, Farmlands
- Jungnickel, Loser - Altaussee
- Komjati, Willows
- Wengenroth, Bucks County
- Kantor, Abstracted Landscape
- Eby, Christmas Trees
- Massen, Landscape with Trees
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19. att. to Dirk Verrijk (1734-1786) River Scene with a View of Lekkerkerk |
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(click on image to print)

River Scene with a View of Lekkerkerk
Drawing in pen and ink and watercolor on laid paper, inscribed verso, 162 x 235 mm., ex collection: Dr. Pietro Malenza (Lugt 2101). Included with the drawing is the original hand-written descriptive sheet from the auction of Dr. Malenza’s drawings on Feb. 25, 1867.
Lekkerkerk is a town on the Lek Rever in South Holland, and its Reformed Church, shown in the drawing, is still standing and functional. The drawing is a little portrait of a place, the kind of specific visual description that emerged in Dutch art, became quite popular in the seventeenth century and perhaps even more so in the eighteenth. Without falling into pure topographical representation, it represents the polar opposite of the generalized landscape constructed in the studio on artistic principles from a variety of previously observed elements.