LANDSCAPE AND MEMORY
- d'Onofri, Landscape with Battus
- after Brueghel, Alpine Landscape
- School of Antwerp, Imaginary Landscape
- Sadeler, Facade of a Temple
- van Noort, Landscape with the Temple
- Davent, Landscape with Ancient Ruins
- att. to Pozzoserato, Mountainous Landscape
- van de Velde II , Interior of the Ruins
- Waterloo, Two Travelers
- Grimaldi, Landscape
- Saftleven, Landscape with a Man
- Barrière, View of the Town
- Monti, Landscape with a River
- Meyeringh, Landscape with Mercury
- Bout, The Skaters
- Lelu, A Town in Portugal
- Dietricy, Heroic Landscape
- Le Loup , View of the Town
- att. to Verrijk , River Scene
- Kolbe, Landscape with a Cowherd
- Roos, Vast Mountainous Landscape with Herds
- Roman School, Lago d’Albano,
- Isabey, Ruines du Château
- Williams, A Part of Melrose Abbey
- Palmer, The Morning of Life
- Richardson, Loggers by a Lake
- att. to Preller, Oak Trees
- Lalanne, Plage des Vaches
- Miller, A Road in Winter
- Haden, Sunset in Ireland
- Doeleman, Stormy Sky
- Meryon, Nouvelle Zélande
- Latenay, Autumn Trees
- German School, Birches
- Cameron, Ben Lomond
- Yeats, July 4, 1908
- MacLaughlan, Rossinières
- Cotton, Spring Landscape
- Legros, Une Vallée
- Torre-Bueno, Farmlands
- Jungnickel, Loser - Altaussee
- Komjati, Willows
- Wengenroth, Bucks County
- Kantor, Abstracted Landscape
- Eby, Christmas Trees
- Massen, Landscape with Trees
Lago d’Albano
Drawing in grey wash over touches of black chalk on laid paper watermarked with a bunch of grapes and the date 1778, 277 x 440 mm.
This subtly-done and very capable drawing appears to be one of the rare landscapes to come from the Neo-Classical movement in Italy at the turn of the century. The seated traveler and his dog, done entirely in wash, show that feeling, but the whole drawing is cool and restrained, with no attempt at the picturesque, and the detail completely subjugated to the play of light and shade. The Lago d’Albano, once a volcano, now a lake, is southeast of Rome and is the site of Castel Gandolfo, the summer home of the popes. One might suggest the young Vicenzo Camuccini (1771-1844) as the author of the drawing, but there seems to be so little to compare it with that it may be better left as anonymous.
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$850.00 | ![]() |