LANDSCAPE AND MEMORY
- d'Onofri, Landscape with Battus
- after Brueghel, Alpine Landscape
- School of Antwerp, Imaginary Landscape
- Sadeler, Facade of a Temple
- van Noort, Landscape with the Temple
- Davent, Landscape with Ancient Ruins
- att. to Pozzoserato, Mountainous Landscape
- van de Velde II , Interior of the Ruins
- Waterloo, Two Travelers
- Grimaldi, Landscape
- Saftleven, Landscape with a Man
- Barrière, View of the Town
- Monti, Landscape with a River
- Meyeringh, Landscape with Mercury
- Bout, The Skaters
- Lelu, A Town in Portugal
- Dietricy, Heroic Landscape
- Le Loup , View of the Town
- att. to Verrijk , River Scene
- Kolbe, Landscape with a Cowherd
- Roos, Vast Mountainous Landscape with Herds
- Roman School, Lago d’Albano,
- Isabey, Ruines du Château
- Williams, A Part of Melrose Abbey
- Palmer, The Morning of Life
- Richardson, Loggers by a Lake
- att. to Preller, Oak Trees
- Lalanne, Plage des Vaches
- Miller, A Road in Winter
- Haden, Sunset in Ireland
- Doeleman, Stormy Sky
- Meryon, Nouvelle Zélande
- Latenay, Autumn Trees
- German School, Birches
- Cameron, Ben Lomond
- Yeats, July 4, 1908
- MacLaughlan, Rossinières
- Cotton, Spring Landscape
- Legros, Une Vallée
- Torre-Bueno, Farmlands
- Jungnickel, Loser - Altaussee
- Komjati, Willows
- Wengenroth, Bucks County
- Kantor, Abstracted Landscape
- Eby, Christmas Trees
- Massen, Landscape with Trees
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28. Maxime Lalanne (1827-1886) Plage des Vaches Noires à Villers (Calvados) |
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(click on image to print)

Plage des Vaches Noires à Villers (Calvados)
Etching, 1869, from 12 Croquis, Béraldi 65, Lalanne 64, B.N. Inv. 21, Villet 63 v/v, 154 x 242 mm. Fine impression with wiped plate tone on wove paper with good (probably full) margins.
Lalanne referred to many of his works as croquis (sketches), but what he produced were meticulously drawn and detailed images, topographically precise and compositionally finished. The only thing that proclaims the "sketch" is the clearly evident speed and fluency of the drawing on the etched plate. Lalanne was a draughtsman of uncanny ability who apparently never etched a wrong or awkward line and who did it all with ease. Profundity aside, he was among the most graceful of etchers. The vaches noires are, of course, the black rocks dotting this cliff-bordered beach at Villers-sur-Mer in Normandy, which are said to have fallen from the cliffs above. Those travellers who have been there will find this an immediately recognizable scene; those who as yet have not, will know precisely what to expect.