LANDSCAPE AND MEMORY
- d'Onofri, Landscape with Battus
- after Brueghel, Alpine Landscape
- School of Antwerp, Imaginary Landscape
- Sadeler, Facade of a Temple
- van Noort, Landscape with the Temple
- Davent, Landscape with Ancient Ruins
- att. to Pozzoserato, Mountainous Landscape
- van de Velde II , Interior of the Ruins
- Waterloo, Two Travelers
- Grimaldi, Landscape
- Saftleven, Landscape with a Man
- Barrière, View of the Town
- Monti, Landscape with a River
- Meyeringh, Landscape with Mercury
- Bout, The Skaters
- Lelu, A Town in Portugal
- Dietricy, Heroic Landscape
- Le Loup , View of the Town
- att. to Verrijk , River Scene
- Kolbe, Landscape with a Cowherd
- Roos, Vast Mountainous Landscape with Herds
- Roman School, Lago d’Albano,
- Isabey, Ruines du Château
- Williams, A Part of Melrose Abbey
- Palmer, The Morning of Life
- Richardson, Loggers by a Lake
- att. to Preller, Oak Trees
- Lalanne, Plage des Vaches
- Miller, A Road in Winter
- Haden, Sunset in Ireland
- Doeleman, Stormy Sky
- Meryon, Nouvelle Zélande
- Latenay, Autumn Trees
- German School, Birches
- Cameron, Ben Lomond
- Yeats, July 4, 1908
- MacLaughlan, Rossinières
- Cotton, Spring Landscape
- Legros, Une Vallée
- Torre-Bueno, Farmlands
- Jungnickel, Loser - Altaussee
- Komjati, Willows
- Wengenroth, Bucks County
- Kantor, Abstracted Landscape
- Eby, Christmas Trees
- Massen, Landscape with Trees
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4. Aegidius Sadeler (1570-1629) after Jan Brueghel, the Elder (1568-1625) Facade of a Temple in Baiae |
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(click on image to print)

Facade of a Temple in Baiae
Engraving, 1606, from Vestigi della Antichita di Roma…, Hollstein 194, The Illustrated Bartsch 204 i/iii. Fine impression on laid paper with large margins; a printer’s crease through part of the image and staining in the margins.
Baiae, on the Bay of Naples, was a famous (and infamous) resort town of ancient Roman times, and named after Baios, the navigator of Ulysses. Jan Brueghel unquestionably visited it toward the end of the 16th century, and it is tempting to think that one of the little group of tourists included in the image is a representation of the artist himself. Although the text of the print mentions Hercules in relation to the temple, it is today believed to be the Temple of Diana. According to modern photographs and tourist literature, it is still standing, although the surroundings have changed: it is now fenced off, next to an apartment building, on street loaded with parked cars, and the tourists wear different outfits. The Bay of Naples is still there, however.