LANDSCAPE AND MEMORY
- d'Onofri, Landscape with Battus
- after Brueghel, Alpine Landscape
- School of Antwerp, Imaginary Landscape
- Sadeler, Facade of a Temple
- van Noort, Landscape with the Temple
- Davent, Landscape with Ancient Ruins
- att. to Pozzoserato, Mountainous Landscape
- van de Velde II , Interior of the Ruins
- Waterloo, Two Travelers
- Grimaldi, Landscape
- Saftleven, Landscape with a Man
- Barrière, View of the Town
- Monti, Landscape with a River
- Meyeringh, Landscape with Mercury
- Bout, The Skaters
- Lelu, A Town in Portugal
- Dietricy, Heroic Landscape
- Le Loup , View of the Town
- att. to Verrijk , River Scene
- Kolbe, Landscape with a Cowherd
- Roos, Vast Mountainous Landscape with Herds
- Roman School, Lago d’Albano,
- Isabey, Ruines du Château
- Williams, A Part of Melrose Abbey
- Palmer, The Morning of Life
- Richardson, Loggers by a Lake
- att. to Preller, Oak Trees
- Lalanne, Plage des Vaches
- Miller, A Road in Winter
- Haden, Sunset in Ireland
- Doeleman, Stormy Sky
- Meryon, Nouvelle Zélande
- Latenay, Autumn Trees
- German School, Birches
- Cameron, Ben Lomond
- Yeats, July 4, 1908
- MacLaughlan, Rossinières
- Cotton, Spring Landscape
- Legros, Une Vallée
- Torre-Bueno, Farmlands
- Jungnickel, Loser - Altaussee
- Komjati, Willows
- Wengenroth, Bucks County
- Kantor, Abstracted Landscape
- Eby, Christmas Trees
- Massen, Landscape with Trees
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26. Thomas Miles Richardson Jr. (1813-1890) Loggers by a Lake in Switzerland |
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(click on image to print)

Loggers by a Lake in Switzerland
Drawing in watercolor and white gouache, 1850, on tan wove paper laid down on thin board, signed and dated in ink, 161 x 239 mm. The sheet has never been washed and the colors and white heightening are fresh; the paper, however, has probably darkened and the edges of the sheet show a brown line of staining from the old mat opening.
Richardson was a member of the Royal Watercolor Society and an important figure in the preeminently British art of watercolor painting. He traveled extensively on the continent, searching, like many of his colleagues, for the picturesque. Views in the Swiss and Italian Alps were probably his favorite subjects. Though he essayed (and was successful at) the large-scale watercolors that meant financial reward, competing with oils, he was probably at his best in the smaller, more poetic scenes that focused on a single action or event in an atmospheric landscape.