Last Hurrah
- Hopfer, The Soldier and His Wife
- van Leyden, The Baptism of Christ
- Italian School (Tuscan?), Eagles
- Marco Dente, Entellus and Dares
- Vincentino, Temperance
- Hopfer, Battle of the Naked Men
- Circle of Romano, Roman Battle
- van Leyden, The Fall of Man
- Scultori, Eros Playing a Clavier
- Bonasone, The Wounded Scipio
- Brun, The Drummer
- Cort, The Assembly of the Gods
- Wierix, The Virgin Nursing
- Sadeler, Annunciation
- de Gheyn, The Rest on the Flight
- Sadeler, Death as a Welcome Visitor
- Callot, Les Intermèdes, No.1
- Brebiette, Woman Nursing
- Dutch or Flemish School, Four Biblical Episodes
- Vauquer, Ornament Plate
- Hondius, Uylenspiegel, or Owlglass
- Roghman, River and Rocks, Italy
- Castiglione, Noah and the Animals
- Piranesi, Frontispiece
- Piranesi, Carceri XI: The Arch
- Pether, A Farrier’s Shop
- Tiepolo, Self Portrait
- Turner & Dunkarton, The Temple
- Lucas, The Vale of Dedham, Essex
- Weir, Study for a Monument
- Lalanne, View of Groningen
- Richmond, Landscape at Otford
- Harpignies, Troncs d’Arbres
- Loizelet, Le Petit Coblentz
- Whistler, The Smith
- Forain, Loge de Danseuse
- Toulouse-Lautrec, Au Pied du Sinai
- Orlik, Still Life with Fruit
- Marin, Sestiere di Dorso Duro
- Roussel, The Snow
- Vergé-Sarrat, Chambre de Malade
- Oppenheimer, Ferruccio Busoni
- Levine, Sewing Machine Operator
- Picasso, Femme Nue à la Jambe
- Oppenheimer, The Rosé Quartet
- Villon, Mon Vieux Luxembourg
- Epstein, Jackie
- Tobey, Untitled
Untitled
Original ink and watercolor drawing, 1967, signed and dated, 205 x 147 mm. Tobey was an Abstract Expressionist artist, largely self taught, and strongly influenced by Asian calligraphy and philosophy and his Baha’i faith. Although he traveled extensively and, in the early 1960s, emigrated to Switzerland, most of his work before that time was based in Seattle, where he was a founder of what was called the “Northwest School.” He achieved considerable success, with exhibitions at the Whitney and MOMA, in San Francisco, Seattle, Portland, Chicago, Paris and elsewhere. He was the first American artist after Whistler to win the International Grand Prize at the Venice Biennale. At first glance, many of Tobey’s works may look like simple patterning -- but there is no repeated pattern. Instead, the sheet or canvas is completely covered with small, abstract figures and brushstrokes, related to one another in style and color but varied in shape, the whole giving the impression of constant movement in space. Tobey, who was also a musician, notably influenced both Jackson Pollock and John Cage. This signed sheet, dated ’67, is in a period brushed aluminum and plexiglass frame, almost certainly its original mounting. A label of the previous owner (?) is attached.
$7,500.00 |