Last Hurrah
- Hopfer, The Soldier and His Wife
- van Leyden, The Baptism of Christ
- Italian School (Tuscan?), Eagles
- Marco Dente, Entellus and Dares
- Vincentino, Temperance
- Hopfer, Battle of the Naked Men
- Circle of Romano, Roman Battle
- van Leyden, The Fall of Man
- Scultori, Eros Playing a Clavier
- Bonasone, The Wounded Scipio
- Brun, The Drummer
- Cort, The Assembly of the Gods
- Wierix, The Virgin Nursing
- Sadeler, Annunciation
- de Gheyn, The Rest on the Flight
- Sadeler, Death as a Welcome Visitor
- Callot, Les Intermèdes, No.1
- Brebiette, Woman Nursing
- Dutch or Flemish School, Four Biblical Episodes
- Vauquer, Ornament Plate
- Hondius, Uylenspiegel, or Owlglass
- Roghman, River and Rocks, Italy
- Castiglione, Noah and the Animals
- Piranesi, Frontispiece
- Piranesi, Carceri XI: The Arch
- Pether, A Farrier’s Shop
- Tiepolo, Self Portrait
- Turner & Dunkarton, The Temple
- Lucas, The Vale of Dedham, Essex
- Weir, Study for a Monument
- Lalanne, View of Groningen
- Richmond, Landscape at Otford
- Harpignies, Troncs d’Arbres
- Loizelet, Le Petit Coblentz
- Whistler, The Smith
- Forain, Loge de Danseuse
- Toulouse-Lautrec, Au Pied du Sinai
- Orlik, Still Life with Fruit
- Marin, Sestiere di Dorso Duro
- Roussel, The Snow
- Vergé-Sarrat, Chambre de Malade
- Oppenheimer, Ferruccio Busoni
- Levine, Sewing Machine Operator
- Picasso, Femme Nue à la Jambe
- Oppenheimer, The Rosé Quartet
- Villon, Mon Vieux Luxembourg
- Epstein, Jackie
- Tobey, Untitled
14. Johannes Sadeler I (1550-1600) after Maerten de Vos (1532-1603) Annunciation to the Shepherds with a Choir of Angels |
(click on image to print)
Annunciation to the Shepherds with a Choir of Angels
Engraving, 1587, 392 x 304 mm., Hollstein 181, TIB 150 only state. Very fine, sharp impression on strong laid paper trimmed just outside the borderline but showing the full text above and below. The work contains the full engraved musical score of a nine-part motet by Andreas Pevernage on the text of the Gloria, each part being held by a different angel. The musical work may actually be performed from this print, which is one of a small group, most by Sadeler, that actually mark the historical beginning of music engraving. The angel in the lower center carries a banderole with the annunciation: “Fear not, I bring you tidings of great joy…” The original design by De Vos is lost and the print itself is quite rare (no impression is recorded at auction in the last 30 years), and particularly so in the almost perfect condition of this impression. It is a superb conception, quite apart from its musical significance, and superbly executed by Sadeler.