Last Hurrah
- Hopfer, The Soldier and His Wife
- van Leyden, The Baptism of Christ
- Italian School (Tuscan?), Eagles
- Marco Dente, Entellus and Dares
- Vincentino, Temperance
- Hopfer, Battle of the Naked Men
- Circle of Romano, Roman Battle
- van Leyden, The Fall of Man
- Scultori, Eros Playing a Clavier
- Bonasone, The Wounded Scipio
- Brun, The Drummer
- Cort, The Assembly of the Gods
- Wierix, The Virgin Nursing
- Sadeler, Annunciation
- de Gheyn, The Rest on the Flight
- Sadeler, Death as a Welcome Visitor
- Callot, Les Intermèdes, No.1
- Brebiette, Woman Nursing
- Dutch or Flemish School, Four Biblical Episodes
- Vauquer, Ornament Plate
- Hondius, Uylenspiegel, or Owlglass
- Roghman, River and Rocks, Italy
- Castiglione, Noah and the Animals
- Piranesi, Frontispiece
- Piranesi, Carceri XI: The Arch
- Pether, A Farrier’s Shop
- Tiepolo, Self Portrait
- Turner & Dunkarton, The Temple
- Lucas, The Vale of Dedham, Essex
- Weir, Study for a Monument
- Lalanne, View of Groningen
- Richmond, Landscape at Otford
- Harpignies, Troncs d’Arbres
- Loizelet, Le Petit Coblentz
- Whistler, The Smith
- Forain, Loge de Danseuse
- Toulouse-Lautrec, Au Pied du Sinai
- Orlik, Still Life with Fruit
- Marin, Sestiere di Dorso Duro
- Roussel, The Snow
- Vergé-Sarrat, Chambre de Malade
- Oppenheimer, Ferruccio Busoni
- Levine, Sewing Machine Operator
- Picasso, Femme Nue à la Jambe
- Oppenheimer, The Rosé Quartet
- Villon, Mon Vieux Luxembourg
- Epstein, Jackie
- Tobey, Untitled
1. Daniel Hopfer (1470-1536) after Erhard Schön (1491-ca. 1542) The Soldier and His Wife |
(click on image to print)
The Soldier and His Wife
Iron etching, 1505-36, Bartsch 63 ii/ii, Hollstein 71 ii/ii, 201 x 145 mm.
Although it bears the Funk number 122 in the lower right corner, indicating a 17th-century printing, this is a rich, black impression with practically no rust marks, on thin, laid paper with small margins. The soldier, of course, is a typical German or Swiss landsknecht (mercenary soldier) with typical flamboyant costume and multiple weapons.
Hopfer, whose trade was the embellishing of armor, was probably the first artist to have made an etching, using iron plates (as in armor) and biting the design in with acid. The new technique was used by Dürer among others, who abandoned it probably because of the rusting of the plates. Later, it was discovered that etching could also be done on the same kind of copper plates used for engravings and the technique flourished.