Bizarre
- Lepic, Ce qui Restait du Puissant Guillaume de Naillac
- Claeaz, Dancers with Death
- Anonymous American, A Naked Man and Horse
- Klinger, Amor, Tod und Jenseits (Love, Death and the Hereafter)
- Surugue, La Folie pare la Décrépitude
- Legros, La Légende du Bonhomme Misère : La Mort dans le Poirier
- Rops, L’Enlèvement
- Sadeler, Allegory of Opulence, Fornication and Stupidity
- Mohlitz, La Vierge aux Étrons (The Virgin of Turds)
- Legrand, Épaves de Famille (Oddballs of the Family)
- Jacquemart, L’Écurueil (sic)
- Benassit, L’Absinthe!
- de Bry, Punishment of the Mutinous Indians
- Goncourt, Le Singe au Miroir (The Monkey at the Mirror)
- Callot, Les Martyrs du Japon
- Dillon, Les Mendiants (The Beggars)
- Barberis, The Witch
- Budzinski, The Thirsty Giant
- Meryon, Le Ministère de la Marine
- Torre-Bueno, Death’s Arrival
- van Meurs, Animals of America
- Redon, Félinerie
- Chagall, Le Vixe
- Martin, Indécision (Tête de Femme)
- Rops, Le Calvaire
- Rops, Les Frères de la Bonne Trogne
- Gillray, Tentanda via est qua ve quoque possim Tollere humo
- Underwood, Simian Ecstasy
- Veber, Beheaded!
- Strang, Death and the Ploughman’s Wife: Frontispiece
- Corman, The Temptation of Saint Anthony
- Bliss, Gargoyles Spouting
- Castellón, Of Land and Sea
- Eichenberg, Isaiah 11
- Rops, L’Idole (The Idol)
- Master MZ, Aristotle and Phyllis
- Bracquemond, “Hors de mon soleil, canailles!"
- Spare, Nemesis
- Higgens, Forgotten
- Anonymous, Jewish Amulet to Protect Mother and Child
- Daumier, Une Expérience Qui Réussit Trop Bien
- Seligmann, Le Roi du Charbon (King Charcoal)
- Braun, The Release of Force
- Callot, Le Grand Rocher
- Forest, Bâstard Foetus Hérédité, Comte D’Averton Mort-Né
- Jacque, La Souricière
- Veber, “Ah! Qu’il fait chaud"
- Pastelot, Les Sorcières
- Lepic, Le Verger du Roi Louis (The Orchard of King Louis)
- Grandville, Résurrection de la Censure
- Tidemann, The Earth Swallows Up the People of Korah
- Shields, The Descent
- Redon, C’est le diable
- Sadeler, Ita Erit et Aventus Filii Hominis
“Ah! Qu’il fait chaud" ("Whew ! It’s hot")
Original drawing in brush and ink and watercolor on thick, tan wove paper, signed in ink, 233 x 303 mm. The inimitable Veber (an especially horrifying drawing by him is listed previously in this show) is here both grotesque and funny at the same time. The image was probably drawn for magazine publication and one should note how the artist cropped it, to put full attention on the separated head and body. Veber, like his great predecessors Daumier, Traviès, Grandville and Philipon, could attack and could shock, but could also amuse. A wonderful drawing.