Bizarre
- Lepic, Ce qui Restait du Puissant Guillaume de Naillac
- Claeaz, Dancers with Death
- Anonymous American, A Naked Man and Horse
- Klinger, Amor, Tod und Jenseits (Love, Death and the Hereafter)
- Surugue, La Folie pare la Décrépitude
- Legros, La Légende du Bonhomme Misère : La Mort dans le Poirier
- Rops, L’Enlèvement
- Sadeler, Allegory of Opulence, Fornication and Stupidity
- Mohlitz, La Vierge aux Étrons (The Virgin of Turds)
- Legrand, Épaves de Famille (Oddballs of the Family)
- Jacquemart, L’Écurueil (sic)
- Benassit, L’Absinthe!
- de Bry, Punishment of the Mutinous Indians
- Goncourt, Le Singe au Miroir (The Monkey at the Mirror)
- Callot, Les Martyrs du Japon
- Dillon, Les Mendiants (The Beggars)
- Barberis, The Witch
- Budzinski, The Thirsty Giant
- Meryon, Le Ministère de la Marine
- Torre-Bueno, Death’s Arrival
- van Meurs, Animals of America
- Redon, Félinerie
- Chagall, Le Vixe
- Martin, Indécision (Tête de Femme)
- Rops, Le Calvaire
- Rops, Les Frères de la Bonne Trogne
- Gillray, Tentanda via est qua ve quoque possim Tollere humo
- Underwood, Simian Ecstasy
- Veber, Beheaded!
- Strang, Death and the Ploughman’s Wife: Frontispiece
- Corman, The Temptation of Saint Anthony
- Bliss, Gargoyles Spouting
- Castellón, Of Land and Sea
- Eichenberg, Isaiah 11
- Rops, L’Idole (The Idol)
- Master MZ, Aristotle and Phyllis
- Bracquemond, “Hors de mon soleil, canailles!"
- Spare, Nemesis
- Higgens, Forgotten
- Anonymous, Jewish Amulet to Protect Mother and Child
- Daumier, Une Expérience Qui Réussit Trop Bien
- Seligmann, Le Roi du Charbon (King Charcoal)
- Braun, The Release of Force
- Callot, Le Grand Rocher
- Forest, Bâstard Foetus Hérédité, Comte D’Averton Mort-Né
- Jacque, La Souricière
- Veber, “Ah! Qu’il fait chaud"
- Pastelot, Les Sorcières
- Lepic, Le Verger du Roi Louis (The Orchard of King Louis)
- Grandville, Résurrection de la Censure
- Tidemann, The Earth Swallows Up the People of Korah
- Shields, The Descent
- Redon, C’est le diable
- Sadeler, Ita Erit et Aventus Filii Hominis
Félinerie
Lithograph, 1879, from Dans la Rêve, 269 x 202 mm., Mellerio 33. A fine impression on chine-applique with large margin ; two small, pale spots of foxing and a tiny surface abrasion on the letterpress text. The bizarre image is itself typically enigmatic. Redon’s title does not appear to be a dictionary word, but clearly seems to imply things having to do with cats: slyness, stealth, etc. We might then reason that whatever this homunculus is saying, it is to be taken not as truth but as self interest masquerading as truth. The work is also known in the literature as “Mephisto,” and while the innocent-looking listener does not in the least resemble Dr. Faustus, the Devil may appear to many different individuals on different occasions -- but invariably with some sly proposition. This is one of the rarer Redon prints, the only edition being limited to 25 impressions.