- Dürer, The Death of the Virgin
- Dürer, The Virgin with the Swaddled
- Krug, Madonna and Child
- Beham, Christ Bearing the Cross
- Beham, Cimon and Pero
- Beham, Triumph of the Noble
- Lautensack, Landscape
- Goltzius, Pietà
- Muller, Cleopatra
- Muller, The Fight
- Callot, La Petite Place de Sienne
- Bosse, Le Pâtissier
- Rembrandt, Christ and the Woman
- Rembrandt, The Goldsmith
- Della Bella, The Five Deaths
- Della Bella, Death on the Battlefield
- Falck, Vanitas (Old Coquette)
- Cantarini, St. Anthony of Padua
- Vauquer, Ornament Plate
- Everdingen, Four Mineral Springs
- Canaletto, Imaginary View of Venice
- Hogarth, Two Receipts
- Le Bas, Repas Italien
- Frye, Life-Sized Heads
- Piranesi, Veduta del Porto
- Piranesi, Veduta del Ponte
- Tiepolo, The Four Evangelists
- Dambrun, La Partie de Wisch
- Lafitte, An Amorous Couple
- Gericault, Horses Going to a Fair
- Cruikshank, “Charing Cross?”
- Decamps, Les Mendiants
- Callow, Bologna
- Malardot, La Pêche
- Malardot, Two Peasants
- Bracquemond, Le Haut
- Whistler, Annie, Seated
- Whistler, Thames Police
- Whistler, Thames Warehouses
- Carrière, Self Portrait
- Devambez, Quai de Métro
- Haskell, Caricature of Whistler
- Barlach, Die Wandlungen Gottes
- Laboureur, January in the Omnibus
- Laboureur, La Halte des Bohèmiens
- Bellows, The Black Hand
- Blampied, Nursing the Baby
Dear Curators, Collectors and, of course, Friends,
We would like to announce our latest web exhibition. This time there is no theme: no long discussions of provenance; no survey of a particular time or place; no art historical argument. We have simply fallen back on that time-honored designation: Recent Acquisitions.
We will not be exhibiting at the IFPDA Print Fair this coming fall; the physical and mental strain of it being now just too much for at least one of us. Instead, we shall participate in the Satellite Print Fair at roughly the same time, a smaller, shorter, more intimate (like in the old days) show. I mention this in this context, to indicate that we are not holding back any top items for the “big” show. This exhibit, then, simply contains the best that we have acquired recently. There are many superb prints and sets of prints, some of them not seen on the market for many years, a number of distinctly unusual and beautiful drawings, and some lesser items which, nevertheless, have their own interest and appeal, not the least of which may be their low prices. We look forward to your response.
Sincerely,
James Goodfriend
Carol Goodfriend
Elizabeth Napier