SIXTY ORIGINAL DRAWINGS BY PRINT MAKERS
(American, British and Continental, 19th-20th Century)

  1. Hervier, Une Femme
  2. Lalauze, La Compagnie Félicite
  3. Raffet, A Group of Men
  4. Steinlen, Head of a Man
  5. Ribot, Studies of a Left Hand
  6. Bèjot, Sur la Marne
  7. Carrière, Two Figures
  8. de Beaumont, “Je te reconnaitras bien…’’
  9. Bone, Winter near Aylmerton
  10. Bone, A Back Street
  11. Blampied, Deux Précieux
  12. Haden, English Landscape
  13. Haden, Sketches for “Greenwich”
  14. Howarth, A Street in Montreuil
  15. Auerbach-Levy , Caricature Portrait of Eugene O’Neill
  16. Kinney, Female Nude
  17. Singer, Shipping in the River
  18. de Martelly, Scene in an Inn
  19. Higgins, Peering Cat
  20. Hopkins, Pattern Designs
  21. Church,The Old Log Tavern
  22. Nisbet, Farm Buildings
  23. Thorne, Running Horse
  24. Capraro ,The Massacre of the Innocents
  25. Vierge, "Pablo de Segovia"
  26. Müller, Pianist
  27. Gaillard, Empress Catherine
  28. Lepic, La Cigogne
  29. van ‘s Gravesande, Katwyk
  30. Besnard, Eve
  31. Webster, Voiliers à Venise
  32. Webster, Farm House
  33. Prouvé, Design for a Leather Book Binding
  34. Buhot, Idée de Premier Frontispice pour "L’Ensorcelée"
  35. Buhot, Peasant Women
  36. Bléry, Osmonde et Taminier
  37. Lançon, An Arrest
  38. Pascin, Female Nude Study
  39. Trimolet, December
  40. Appian, Traveler in a Forest
  41. Calvert, Woodland Stream
  42. Calvert, Draped Female
  43. Giddens, Gerona, Spain
  44. McBey, Santa Cruz, California
  45. Dehn, Central Park, NYC
  46. Brockhurst, Anthea
  47. Petitjean, Portrait
  48. Cameron, Chinon
  49. MacLaughlan, Argentière
  50. Covarrubias, Billy Rose
  51. Forain, La Pluie d’Or
  52. Citon, Head of a Woman
  53. Kelsey, Village Street, Mexico
  54. Hart, Speaker and Listener
  55. Kupka, Robed Monk
  56. Chauvel, Pont de Sichol, Thiers
  57. Roussel, Ornament Study
  58. Raffaëlli, La Bièvre
  59. Lepere, Flooded Countryside
  60. Lalanne, Vast Pasture



SIXTY ORIGINAL DRAWINGS BY PRINT MAKERS

Hervier, Une Femme
Lalauze, La Compagnie Félicite
Raffet, A Group of Men
Steinlen, Head of a Man
Ribot, Studies of a Left Hand
Bèjot, Sur la Marne
Carrière, Two Figures
de Beaumont, “Je te reconnaitras bien…’’
Bone, Winter near Aylmerton
Bone, A Back Street
Blampied, Deux Précieux
Haden, English Landscape
Haden, Sketches for “Greenwich”
Howarth, A Street in Montreuil
 Auerbach-Levy , Caricature Portrait of Eugene O’Neill
Kinney, Female Nude
Singer, Shipping in the River
de Martelly, Scene in an Inn
Higgins, Peering Cat
Hopkins, Pattern Designs
Church,The Old Log Tavern
Nisbet, Farm Buildings
Thorne, Running Horse
Capraro ,The Massacre of the Innocents
Vierge, "Pablo de Segovia"
Müller, Pianist
Gaillard, Empress Catherine
Lepic, La Cigogne
van ‘s Gravesande, Katwyk
Besnard, Eve
Webster, Voiliers à Venise
Webster, Farm House
Prouvé, Design for a Leather Book Binding
Buhot, Idée de Premier Frontispice pour "L’Ensorcelée"
Buhot, Peasant Women
Bléry, Osmonde et Taminier
Lançon, An Arrest
Pascin, Female Nude Study
Trimolet, December
Appian, Traveler in a Forest
Calvert, Woodland Stream
Calvert, Draped Female
Giddens, Gerona, Spain
McBey, Santa Cruz, California
Dehn, Central Park, NYC
Brockhurst, Anthea
Petitjean, Portrait
Cameron, Chinon
MacLaughlan, Argentière
Covarrubias, Billy Rose
Forain, La Pluie d’Or
Citon, Head of a Woman
Kelsey, Village Street, Mexico
Hart, Speaker and Listener
Kupka, Robed Monk
Chauvel, Pont de Sichol, Thiers
Roussel, Ornament Study
Raffaëlli, La Bièvre
Lepere, Flooded Countryside
Lalanne, Vast Pasture
Click on an image above or a title at the left to view the work.

This is not a show we could have mounted at the Print Fair itself, as we are severely limited as to the amount of non-prints we are allowed to exhibit.  And yet, how logical a show it is.  All print makers made drawings, sometimes as a step in the making of a print, sometimes for another end entirely, sometimes purely for the drawing itself.  And what is perhaps astonishing is the variety.  There is no “typical” print maker’s drawing, but a vast assortment of styles and images from the sketchiest scraps to the most finished works of art.  Presenting these drawings apart from their authors’ etchings, lithographs and woodcuts, but surrounded only by other drawings, somehow elicits a different way of seeing them.   The familiar hierarchies have been removed and one may get a fresh, perhaps unexpected, view of a familiar artist or a pleasing introduction to one whose prints had never inspired further investigation.  Context is everything.