SOME HIGH POINTS OF THE LOW COUNTRIES
(Dutch and Flemish Prints and Drawings)
(Dutch and Flemish Prints and Drawings)
- Anonymous, Christ Crowned
- van Leyden, A Young Man
- Claesz, St. Peter Seated
- att. to Aertsen, St. John
- Cort, Maria Magdalena
- Wierix, Perseus and Andromeda
- Sadeler, Annunciation
- Collaert, Italian Landscape
- Sadeler, May and June
- Sadeler, July and August
- Muller, Albert, Archduke of Austria
- Casembrot, A Galley at Anchor
- van Uden, Landscape with a Man
- Uyttenbroeck, Mercury Accuses
- Akersloot, View of Haarlem
- Rembrandt, The Descent
- Rembrandt, Beggars Receiving
- Rembrandt, Jews in Synagogue
- Rembrandt, Faust
- Rembrandt, The Pancake Woman
- Pupil Of Rembrandt, Old Woman
- Lievens, Jacques Gaultier
- Post, Public Executions
- Waterloo, Farmhouse
- Waterloo, The Little Hunchback
- Both, Two Hinnies
- Van Ostade, The Fiddler
- Van Ostade, The Breakfast
- Fyt, Set of Animals
- Nolpe, Four Gentlemen
- Suyderhoef, Peasants in an Inn
- Berchem, Animalia
- Everdingen, The Mineral Springs
- Dujardin, Man and Two Donkeys
- Zeeman, Harbor Scene
- Visscher, Angel Appearing
- Bega, The Family
- van der Cabel, River Landscape
- Schoonebeck, Frontispiece
- Dusart, The Violinist
- Gole, Backgammon Players
- Pickaert, The Five Senses
- Tanjé, Pieter Tanjé
- Le Loup, View of the Town
- Soeterik, Boaters on a Lake
- Jongkind, Jetée en Bois
- Rops, La Messagère
- Toorop, Venise Sauvée
- Van Hoytema, Ducks in a Pond
- de Bruycker, Autour le Chateau
- Nieuwenkamp, Tooren van Amersfoort
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46. Joan Barthold Jongkind (1819-1891) Jetée en Bois dans le Port de Honfleur |
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(click on image to print)

Jetée en Bois dans le Port de Honfleur
Etching, 1865, 237 x 320 mm. Delteil 12 i/iii. A fine and rare proof impression before letters, on chine-appliqué with large margins; water stain at the lower left corner of the sheet, far from the image, and a few small surface dents in the sky. Jongkind was a Dutch painter of landscapes who spent most of his career in France, where he was a strong influence on Boudin and later the teacher of Monet. Even in this etching of 1865, we can see strong portents of what would follow with the Impressionists, and if one would mentally add pointillist color to this very image, the result could pass as a Signac. But Signac was two years old at the date of this etching. There is a painted version of this image by Jongkind, interestingly dated 1866, the year after the etching, and there one can see the closeness to Boudin rather than Signac. Regardless, Jongkind’s etchings, done mostly between 1862 and 1878 are important, both as harbingers of future developments and for themselves.
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$3,500.00 | ![]() |