SOME HIGH POINTS OF THE LOW COUNTRIES
(Dutch and Flemish Prints and Drawings)
(Dutch and Flemish Prints and Drawings)
- Anonymous, Christ Crowned
- van Leyden, A Young Man
- Claesz, St. Peter Seated
- att. to Aertsen, St. John
- Cort, Maria Magdalena
- Wierix, Perseus and Andromeda
- Sadeler, Annunciation
- Collaert, Italian Landscape
- Sadeler, May and June
- Sadeler, July and August
- Muller, Albert, Archduke of Austria
- Casembrot, A Galley at Anchor
- van Uden, Landscape with a Man
- Uyttenbroeck, Mercury Accuses
- Akersloot, View of Haarlem
- Rembrandt, The Descent
- Rembrandt, Beggars Receiving
- Rembrandt, Jews in Synagogue
- Rembrandt, Faust
- Rembrandt, The Pancake Woman
- Pupil Of Rembrandt, Old Woman
- Lievens, Jacques Gaultier
- Post, Public Executions
- Waterloo, Farmhouse
- Waterloo, The Little Hunchback
- Both, Two Hinnies
- Van Ostade, The Fiddler
- Van Ostade, The Breakfast
- Fyt, Set of Animals
- Nolpe, Four Gentlemen
- Suyderhoef, Peasants in an Inn
- Berchem, Animalia
- Everdingen, The Mineral Springs
- Dujardin, Man and Two Donkeys
- Zeeman, Harbor Scene
- Visscher, Angel Appearing
- Bega, The Family
- van der Cabel, River Landscape
- Schoonebeck, Frontispiece
- Dusart, The Violinist
- Gole, Backgammon Players
- Pickaert, The Five Senses
- Tanjé, Pieter Tanjé
- Le Loup, View of the Town
- Soeterik, Boaters on a Lake
- Jongkind, Jetée en Bois
- Rops, La Messagère
- Toorop, Venise Sauvée
- Van Hoytema, Ducks in a Pond
- de Bruycker, Autour le Chateau
- Nieuwenkamp, Tooren van Amersfoort
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32. Nicolaes Berchem (1620-1683) Animalia (Set of Sheep with the Singing Shepherdess) |
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(click on image to print)

Animalia (Set of Sheep with the Singing Shepherdess)
Other Images:







Etchings, ca. 1644, (set of 6), 105 x 131 mm., Bartsch 29-34, Hollstein 29-34 iii/vi. A fine, complete and uniform set of the first edition on laid paper with foolscap watermark and large margins; a few stains or damages in the margins. Berchem was a great and prolific painter of Italianate pastoral landscapes, often peopled with mythological figures, but as an etcher, he was primarily an animalist. His etchings of cattle, horses, sheep and goats are carefully observed and meticulously rendered but, in addition, he often finds a certain gracefulness of pose and personality that escaped many of his contemporaries. This set, also known as “A Woman’s Sketchbook,” is exemplary.
Though late editions are often found on the market, the complete first edition, as published by Clemendt de Jonghe, is scarce.