SOME HIGH POINTS OF THE LOW COUNTRIES
(Dutch and Flemish Prints and Drawings)
(Dutch and Flemish Prints and Drawings)
- Anonymous, Christ Crowned
- van Leyden, A Young Man
- Claesz, St. Peter Seated
- att. to Aertsen, St. John
- Cort, Maria Magdalena
- Wierix, Perseus and Andromeda
- Sadeler, Annunciation
- Collaert, Italian Landscape
- Sadeler, May and June
- Sadeler, July and August
- Muller, Albert, Archduke of Austria
- Casembrot, A Galley at Anchor
- van Uden, Landscape with a Man
- Uyttenbroeck, Mercury Accuses
- Akersloot, View of Haarlem
- Rembrandt, The Descent
- Rembrandt, Beggars Receiving
- Rembrandt, Jews in Synagogue
- Rembrandt, Faust
- Rembrandt, The Pancake Woman
- Pupil Of Rembrandt, Old Woman
- Lievens, Jacques Gaultier
- Post, Public Executions
- Waterloo, Farmhouse
- Waterloo, The Little Hunchback
- Both, Two Hinnies
- Van Ostade, The Fiddler
- Van Ostade, The Breakfast
- Fyt, Set of Animals
- Nolpe, Four Gentlemen
- Suyderhoef, Peasants in an Inn
- Berchem, Animalia
- Everdingen, The Mineral Springs
- Dujardin, Man and Two Donkeys
- Zeeman, Harbor Scene
- Visscher, Angel Appearing
- Bega, The Family
- van der Cabel, River Landscape
- Schoonebeck, Frontispiece
- Dusart, The Violinist
- Gole, Backgammon Players
- Pickaert, The Five Senses
- Tanjé, Pieter Tanjé
- Le Loup, View of the Town
- Soeterik, Boaters on a Lake
- Jongkind, Jetée en Bois
- Rops, La Messagère
- Toorop, Venise Sauvée
- Van Hoytema, Ducks in a Pond
- de Bruycker, Autour le Chateau
- Nieuwenkamp, Tooren van Amersfoort
Public Executions (Spanish-Dutch Wars)
Original drawing in pen and brown ink and grey wash on laid paper, 100 x 134 mm. Pieter Post was a distinguished and famous Dutch architect, the co-designer of the Mauritshuis and founder of the Dutch style of Baroque architecture. He was, however, also a painter and draughtsman. The attribution of this drawing to him is based on an almost identical composition (though different subject) in a print by Jan Visscher after a design by Post, with a platform in the rear, a horseman at rest at the left, another seen from the rear at right, and at the rightmost edge, boys climbing, the intervening spaces filled with standing figures. The individual figures strongly appear to be by the same hand and the overall resemblance is far too great to be coincidental. The print shows the appearance of William of Orange to the crowd; the drawing shows a garroting, a beheading and a hanging, also with the attendance of a crowd. And unusual attention is paid in the drawing to the architectural ornaments of the buildings. No similar drawing by Post seems to be known, but there is no reason why he could not have done it. It is, as well and not least, a fine work of art and a historical document of the time.
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$3,200.00 | ![]() |