THE PRICE OF FAME
- Munch, Tiger and Bear
- Dürer, Five Lansquenets
- Bonnard, Dans la Rue
- Vuillard, La Couturiére
- Bellows, The Hold-Up
- Magritte, Oreille-Cloche
- Canaletto, Landscape
- Cezanne, Self-Portrait at the Easel
- Matisse, Repos du Modèle
- Pissarro, Rue Saint-Romaine
- Tiepolo, Three Soldiers
- Rouault, L’Enfant de la Balle
- Toulouse-Lautrec, Yvette
- Jongkind, Jetée en Bois
- after Brueghel, Saint Jerome
- Blake, And My Servant Job
- Chagall, Le Vixe
- Piranesi, The Villa Albani
- after Rubens, St. Mary Magdalene
- Millet, La Fileuse Auvergnate
- Beckmann, Jacob Wrestles
- Corot, Environs de Rome
- Tissot, Le Matin
- Whistler, Little Dorothy
- Géricault, Cheval Anglais
- Ostade, The Barn
- Hogarth, A Chorus of Singers
- Watteau & Thomassin, Femme
- Goya, Nanny’s Boy
- Palmer, Herdsman’s Cottage
- Delacroix, Arabes d’Oran
- Sloan, Fifth Avenue Critics
- after Boucher, The Snare
- after da Vinci, Caricature Head
- Baskin, Bird-Man
- after Turner, In the Campagna
- after Raphael, A Muse
- Kirchner, Railway Curve
- Daumier, Eh, Eh ? Petit Gredin…
- Robert, Le Poteau
- Rowlandson, Wood Nymphs
- Doré, Lapplander Peasants
- van Dyck, Portrait of Brueghel
- after Constable, Mill Stream
- Rosa, Woman Walking to the Left
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37. after Raphael (1483-1520), engraved by Marcantonio Raimondi (1475/80-1527/34) A Muse |
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(click on image to print)

A Muse
Engraving, 1511-1520, from Apollo, Minerva and the Muses, Bartsch 270. Fine impression on laid paper trimmed on or just inside the platemark, showing the borderline all around, and with the number 9 at the lower left (not described by Bartsch). The paper is similar to that one sees on other early impressions of Marcantonio prints. The specific muse is not named and the lack of an attribute (lyre, scroll, mask, etc) makes identification impossible. The print is one in a series after drawings by Raphael, inspired by Classical prototypes on a sarcophagus which, in the sixteenth century, was located in front of the Basilica of Santa Maria Maggiore in Rome and hence accessible to Raphael. A minor work, certainly, but redolent of more than one great artistic tradition.