THE PRICE OF FAME
- Munch, Tiger and Bear
- Dürer, Five Lansquenets
- Bonnard, Dans la Rue
- Vuillard, La Couturiére
- Bellows, The Hold-Up
- Magritte, Oreille-Cloche
- Canaletto, Landscape
- Cezanne, Self-Portrait at the Easel
- Matisse, Repos du Modèle
- Pissarro, Rue Saint-Romaine
- Tiepolo, Three Soldiers
- Rouault, L’Enfant de la Balle
- Toulouse-Lautrec, Yvette
- Jongkind, Jetée en Bois
- after Brueghel, Saint Jerome
- Blake, And My Servant Job
- Chagall, Le Vixe
- Piranesi, The Villa Albani
- after Rubens, St. Mary Magdalene
- Millet, La Fileuse Auvergnate
- Beckmann, Jacob Wrestles
- Corot, Environs de Rome
- Tissot, Le Matin
- Whistler, Little Dorothy
- Géricault, Cheval Anglais
- Ostade, The Barn
- Hogarth, A Chorus of Singers
- Watteau & Thomassin, Femme
- Goya, Nanny’s Boy
- Palmer, Herdsman’s Cottage
- Delacroix, Arabes d’Oran
- Sloan, Fifth Avenue Critics
- after Boucher, The Snare
- after da Vinci, Caricature Head
- Baskin, Bird-Man
- after Turner, In the Campagna
- after Raphael, A Muse
- Kirchner, Railway Curve
- Daumier, Eh, Eh ? Petit Gredin…
- Robert, Le Poteau
- Rowlandson, Wood Nymphs
- Doré, Lapplander Peasants
- van Dyck, Portrait of Brueghel
- after Constable, Mill Stream
- Rosa, Woman Walking to the Left
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36. after Joseph Mallord William Turner (1775-1851) etched and mezzotinted by Frank Short (1857-1945) A Scene in the Campagna |
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(click on image to print)

A Scene in the Campagna
Etching and mezzotint, 1886, 215 x 289 mm., Hardie 4 ii/ii. Fine impression in brown on very thick wove paper with full margins, signed in pencil by Short. During his life, Turner assiduously supervised the production of mezzotints after his drawings and watercolors to be collected in a series called the Liber Studiorum. His ultimate aim was a set of one hundred images to exemplify different types of landscape, as well as to make his work available to a larger public. The set was incomplete at his death and years later, Sir Frank Short essayed to complete it, working from unfinished trial proofs as well as from the original drawings. Short’s work was praised by John Ruskin, as well as many others, and may certainly be said to match the best of the work done under Turner’s direct supervision.