Undervalued Artist$
- Nothnagel: Peasant and Wife
- Nothnagel: Dr. Senckenberg
- Nothnagel: A Young Man
- Nothnagel: A Bearded Old Man
- Nothnagel: Portrait of a Turk
- Nothnagel: Portrait of Ali Bey
- Nothnagel: Prince Radzivil
- Nothnagel: Peasant with Pipe
- Nothnagel: Portrait of an Artist
- Legros: Paysanne des Environs de Boulogne
- Legros: ''La Femme au Panier''
- Legros: Les Faiseurs de Fagots
- Legros: L'Entrée du Champ
- Legros: Les Marais
- Legros: Le Village Abandonné
- Legros: Les Vieilles Carrières de Montrouge
- Legros: Lisière de Forêt
- Legros: La Vallée des Dunes
- Legros: La Passerelle
- Legros: Le Bruleur d'Herbes,
- Cameron: The Veteran
- Cameron: A Canal: Amsterdam
- Cameron: Cour des Bons Enfants, Rouen
- Cameron: The Gargoyles, Stirling Castle
- Cameron: Murthly on the Tay
- Cameron: The Gateway of Bruges
- Cameron: Old Bridge, Whitby
- Cameron: Arran Peaks
- Cameron: Kerrera, No. 1
- Cameron: Skye
- MacLaughlan: St. Ouen, Rouen
- MacLaughlan: Ruelle du Pecheur
- MacLaughlan: Le Vieux Fort d'Ambleteuse en 1902
- MacLaughlan: Emilia
- MacLaughlan: Draught Horses
- MacLaughlan: Houses on the Aare, Switzerland
- MacLaughlan: The Hill City (San Gimignano)
- MacLaughlan: Leaves of Asolo
- MacLaughlan: On the Brenta (Veneto)
- MacLaughlan: Landscape with Bathers
- Winkler: Oriental Shop
- Winkler: Russian Hill
- Winkler: Pals
- Winkler: Alameda
- Winkler: Shipping
- Winkler: Le Petit Brocanteur
- Winkler: La Marchande de Legumes
- Winkler: Le Marchand d'Habits
- Winkler: Farmyard, Normandy
- Winkler: Dusk at Fisherman's Wharf
St. Ouen, Rouen
Etching, 1903, 148 x 168 mm., Bruette 59 ii/ii. Canadian-born and American trained, MacLaughlan was one of our earlier expatriates, wandering around Europe in the nineties and the early years of the twentieth century, etching the scenes that a host of Americans would etch twenty and thirty years later. He had a fine style at the beginning, a broader one later on, and there are wonderful prints to be found among both groups. There is a lot of his material around and for now, at least, it's very inexpensive. A fine impression of this early, highly-detailed print on old laid paper with small margins, signed in pencil. The view shows the apse and courtyard of the 14th-century abbey cathedral where Joan of Arc was sentenced to death in 1431.