The Color Evolution
colored prints through six centuries
colored prints through six centuries
- Anonymous, God Appearing to Moses
- Wolgemut , Christ Heals a Man
- da Trento, The Philosopher
- Goltzius, St. John
- Gaultier, Les Vespres
- Denon, The Abbot Zani
- Janinet, Marie Antoinette
- Janinet, La Prière Interrompue
- Janinet, Venus en Reflexion
- Janinet, Venus Desarment l’Amour
- Janinet, Le Sommeil d’Ariane
- Pollard & Jukes, Vaux-Hall
- Caldwell, The Blue Passion Flower
- Stadler, The White Lily
- Sutherland, American Bog Plants
- Debucourt, La Course, No. 3
- Debucourt, Le Joueur de Cornemuse
- Raffaëlli, L'Actrice en Scène
- Mariani, Woman on a Forest Pathway
- Maurin, Nu de Dos au Miroir
- Aman-Jean, Jeune Fille à La Chevelure
- Auriol, Concours de Dessin du Journal
- Toulouse-Lautrec, Carnot Malade!
- Rivière, La Vague
- Vallotton, Crimes et Châtiments
- Bonnard, Place Clichy
- Ibels, Le Grappin & L'Affranchie
- Roussel, Paysage avec Maison
- Roussel, Amours Jouant
- Müller, Interno (Young Girl with Cat)
- Orlik, View of Mecheln
- DuGardier, Sur la Plage
- Devambez, Poster for Cendrillon
- Robbe, Sardinières au Port
- Beltrand, Le Laboureur
- Delcourt, La Modiste
- Webster , Campo Santa Margarita
- Oppenheimer, The Quartet
- Urushibara , Fruit in a Bowl
- Drewes, Rotterdam
13. James Caldwell (1739 - ?) after Phillip Reinagle (1749-1833) The Blue Passion Flower |
(click on image to print)
The Blue Passion Flower
Aquatint, stipple, engraving and etching printed in color with additional hand coloring, 1800, 510 x 380 mm., Dunthorne p. 248 ii/iii; Grigson/Buchanan 3 iii; from Dr. Thornton's The Temple of Flora.
Fine impression, the colors fresh, on wove paper with good margins; pale discoloration, minor creases and a few edge nicks, all in the margins. Thornton’s collection, the prints individually commissioned from the best designers and best engravers of the day, is one of the great masterpieces of botanical illustration, the images life size (and sometimes a bit more), the compositions striking. To modern eyes, there is something supernatural about many of them, particularly in the subjugation of man-made elements to natural ones and the absence of human figures – as if the world had been taken over by plants. This leads only to a greater attraction of the images.