Standards
- van Meckenem, Ecce Homo
- Dürer, Saint Jerome
- Dürer, The Little Courier
- Dürer, The Satyr Family
- Raimondi, Façade with Caryatids
- Altdorfer, The Resurrection
- Beham, Peasant Couple
- Beham or Dürer, Bookplate
- Pencz, The Life of Christ
- Davent, Musicians
- Lautensack, Landscape
- Matham, The Planets
- Callot, Balli di Sfessania
- Callot, La Chasse au Cerf
- Rembrandt, Clement de Jonghe
- Rembrandt, The Goldsmith
- Della Bella, The Five Deaths
- Ostade, The Fiddler
- Both, The Five Senses
- Nanteuil, Hardouin de Beaumont
- Visscher, A Mouse in a Mouse Trap
- Masson, Guilllaume de Brisacier
- Piranesi, A View of the Temple
- Watson, Mrs. Hale as Euphrosyne
- Moreau, Les Petits Parains
- Janinet, Le Sommeil d’Arianne
- Blake, And My Servant Job
- Unknown Engraver, Frederick
- Gericault, Horses Going to a Fair
- Jacque, Les Musiciens
- Haden, A By-Road in Tipperary
- Meryon, Saint-Etienne-du-Mont
- Bresdin, La Sainte Famille
- Whistler, Battersea Dawn
- Whistler, Limehouse
- Fantin-Latour, Manfred and Astarte
- Legros, Le Grand Canal
- Buhot, La Place des Martyrs
- Forain, Le Calvaire (2e planche)
- Pennell, In the Mist of the Morning
- Hassam, The Old Mulford House
- Zorn, "Oxenstierna"
- Toulouse-Lautrec, La Modiste
- Cameron, The Palace
- Sloan, Anshutz on Anatomy
- Bone, The Trevi Fountain, Rome
- Knight, At the Footlights
- McBey, Palestine: Blue Bonnets
The Satyr Family
Engraving, 1505,
115 x 70 mm., Bartsch 69, Meder 65 a (of d), ex collection: Conte G. Archinto (Lugt 547). Brilliant, black impression but with a great range of tone, before any scratches, on laid paper without visible watermark, trimmed on the plate mark and cut in a bit at the bottom right. Lugt specifically mentions Archinto’s beautiful Dürers. The subject derives oddly from the writings of Lucian, some of whose stories were translated by Dürer’s friend Pirckheimer. In one, the artist Zeuxis finds that viewers are more attracted by the novelty of subject than by the quality of his paintings and so he invents a scene of a centauress feeding her twins. Dürer knew this story and invented an equally novel scene.