Standards
- van Meckenem, Ecce Homo
- Dürer, Saint Jerome
- Dürer, The Little Courier
- Dürer, The Satyr Family
- Raimondi, Façade with Caryatids
- Altdorfer, The Resurrection
- Beham, Peasant Couple
- Beham or Dürer, Bookplate
- Pencz, The Life of Christ
- Davent, Musicians
- Lautensack, Landscape
- Matham, The Planets
- Callot, Balli di Sfessania
- Callot, La Chasse au Cerf
- Rembrandt, Clement de Jonghe
- Rembrandt, The Goldsmith
- Della Bella, The Five Deaths
- Ostade, The Fiddler
- Both, The Five Senses
- Nanteuil, Hardouin de Beaumont
- Visscher, A Mouse in a Mouse Trap
- Masson, Guilllaume de Brisacier
- Piranesi, A View of the Temple
- Watson, Mrs. Hale as Euphrosyne
- Moreau, Les Petits Parains
- Janinet, Le Sommeil d’Arianne
- Blake, And My Servant Job
- Unknown Engraver, Frederick
- Gericault, Horses Going to a Fair
- Jacque, Les Musiciens
- Haden, A By-Road in Tipperary
- Meryon, Saint-Etienne-du-Mont
- Bresdin, La Sainte Famille
- Whistler, Battersea Dawn
- Whistler, Limehouse
- Fantin-Latour, Manfred and Astarte
- Legros, Le Grand Canal
- Buhot, La Place des Martyrs
- Forain, Le Calvaire (2e planche)
- Pennell, In the Mist of the Morning
- Hassam, The Old Mulford House
- Zorn, "Oxenstierna"
- Toulouse-Lautrec, La Modiste
- Cameron, The Palace
- Sloan, Anshutz on Anatomy
- Bone, The Trevi Fountain, Rome
- Knight, At the Footlights
- McBey, Palestine: Blue Bonnets
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12. Jacob Matham (1571-1631) after Hendrik Goltzius (1558-1617) The Planets (complete set) |
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(click on image to print)

The Planets (complete set)
Other Images:








Engravings, 1597, 120 x 77 mm., Bartsch 149-155, Hollstein 226-232 i/ii, ex collection: J. Peoli (Lugt 2020). Superb and even complete set, before the address of Janssonius on plate 1, on laid paper with even margins of about 7 mm. all around on all prints; old tape marks at the upper corners of plate 4. The prints are rare. Only two from the set, in trimmed impressions, have appeared at auction in over 20 years. The planets here, of course, are represented by the gods for whom they were named, together with their attributes and astrological signs. The grouping is of a pre-Copernican system in which Earth is the center (therefore not a planet), but both the sun and the moon are considered such. Obviously, such images are more concerned with mythology and astrology than with astronomy, but Copernicus’ theory was not actually published until about1543 and was still highly controversial for many years afterward. Uranus, Neptune and Pluto (the latter now downgraded and no longer identified as a planet) were not discovered until 200 years later, and so the planets, for Goltzius and Matham (and other artists of the time) were Saturn, Jupiter, Mars, the Sun, Venus, Mercury and the Moon.