THE ETCHING REVIVAL
France, Britain, America and Zorn
France, Britain, America and Zorn
- Jacque, Rembrandt, Etching
- Jacque, Le Chemin de Halage
- Daubigny, Le Grand Parc
- Lalanne, Richmond
- Meryon, Greniers Indigènes
- Bracquemond, Le Corbeau
- Buhot, Débarquement
- Lepère, La Route de Saint Gilles
- Legros, Le Triomphe de la Mort
- Besnard, La Mère Malade
- Leheutre, Notre-Dame de Chartres
- Legrand, Devant Sa Glace
- Brouet, Coin de Campagne
- Beaufrère, Bords de la Laïta
- Frélaut, Allée de Village
- Forain, L’Avocat Parlant
- Laboureur, Vue du Chateau
- Haden, Mytton Hall
- Whistler, Black Lion Wharf
- Strang, Eel Fishing in a Cave
- Cameron, Ben Lomond
- Bone, Culross Roofs
- McBey, Palestine: Blue Bonnets
- John, Head of Granger
- Blampied, Blessing the Waters
- Lumsden, Cliff and Cactus
- Lee-Hankey, Le Repas
- Osborne, Zierikzee
- Simpson, James Pryde
- Rushbury, On the Waveny
- Detmold, The Cock
- Brockhurst, Phemie (Marguerite)
- Nicolson, Quiet Hour
- Moran, Landscape on the Marne
- Moran, The Rapids Above
- Moran, Scrub Oaks
- Parrish, Winter in Trenton
- Platt, Deventer, Holland
- Mielatz, The Old Bridge
- Pennell, The Shot Tower, London
- Benson, Yellowlegs at Dusk
- Hassam, Madonna of the North
- Sloan, Girls Sliding
- Winkler, North End
- Arms, Stokesay Castle
- MacLaughlan, Bernese Oberland
- Friedlander, Downtown
- Eby, North Country
- Marsh, Coney Island Beach
- Zorn, Pilot – Lots
- Zorn, Portrait of Ernest Renan
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8. Auguste Lepère (1849-1918) La Route de Saint Gilles (Saint-Jean-de-Monts) |
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(click on image to print)

La Route de Saint Gilles (Saint-Jean-de-Monts)
Etching with touches of drypoint, 1911, 248 x 297 mm., Texier-Bernier 387 iv/iv. Fine, rich impression on thin, tan, laid japan paper with large margins, signed and numbered in pencil from the edition of 50. Lepère came to etching from wood engraving, of which he was the consummate master, and was probably introduced to it by Bracquemond. He mastered the new technique quickly, experimented in different and intriguing directions and ultimately settled on a straightforward, fluent but personal style in which etching became quite as natural as drawing or writing. This is a late work by him, exemplifying that style and showing a scene in the Vendée, that area on the west coast of France where he lived for many years after leaving Paris. The tree drawing is distinctive; no one else really drew trees in quite that way. But the print is totally natural and unforced, the work of a man who knew who he was and where he was and was happy with it.