ANONYMOUS
Prints & Drawings by Anonymous Artists
Prints & Drawings by Anonymous Artists
- Italian 15th Century, The Man of Sorrows
- Florentine ca. 1470, Music Manuscript
- Greek or Byzantine 15th-16th Century, The Risen Christ
- French ca. 1500, The Mass of St. Gregory
- Italian 16th Century, Annunciation to the Virgin
- Itallian 16th Century, Study for a Draped Female Figure
- Dutch 16th Century, Christ Feeding the Five Thousand
- German 16th Century, Ornament with an Owl
- Italian 16th Century, The Virgin at the Cradle
- Italian 16th Century, The Forefathers of Christ
- Master L, Adoration of the Magi
- Master RR, Esther Before Ahasuerus
- Monogramist HWB, Sketches of Lovers
- Italian 16th Century, Gladiators in an Arena
- School of Fontainebleau, The Birth of the Virgin
- Flemish 16th Century, Hercules Fighting the Nemean Lion
- Flemish (?) 16th-17th Century, Satyr and Nymph Embracing
- after Ludolph Büsinck, Saint Matthew
- Flemish 17th Century, Doctor, Dying Miser
- Bolognese 17th Century, Robed, Seated Male Figure
- French 17th Century, Le Palais de Neptune
- Italian 17th Century, Male Figure in the Clouds
- Italian 17th -18 th Century, Panel of Ornament with Putti
- Dutch (?) 18th Century, Landscape with a River
- British 18th Century, A Woman Seated in an Arm Chair
- Italian late 18th Century, Neptune Before Juno
- French (?) late 18th-Early 19th Century, Bathers in a Landscape
- Spanish (?) 19th Century (?), Vanitas
- British 19th Century, Extensive Landscape
- Barbizon School 19th Century, Pair of River Landscapes
- American Mid-19th Century, Maylandville Road
- Spanish 19th Century, Street Scene
- French 19th Century, En Auvergne
- French 19th Century, Cavalry Skirmish
- British 19th Century, Badshahi Qila
- French 19th Century, Design for a Ceiling
- Russian 19th Century, Fortified Military Encampment
- American late 19th Century, Sheep on a Country Road
- British 19th (?) Century, Llyn Ogwen, North Wales
- German or Austrian 19th-20th Century, Prometheus Bound
- British 20th (?) Century, The Knife Grinder
- British 20th Century, The Knife Grinder
- German 20th Century, Death Leading a Woman
- American 20th Century, Straphanger
![]() |
27. Anonymous French (?) Late 18th-Early 19th Century Bathers in a Landscape (or Pan and Syrinx?) |
![]() |
(click on image to print)

Bathers in a Landscape (or Pan and Syrinx?)
Aquatint, 123 x 98 mm. A fine impression in black and tones of grey on very thin wove paper, with small margins, tipped down at the corners to a sheet of heavy wove paper. On seeing such an image, one immediately thinks of 18th- century France and such artists as LePrince and Saint-Non. But LePrince’s aquatints were invariably printed in sepia and Saint-Non’s were generally reproductive of known paintings and the aquatint was usually combined with etching. This is someone else, a bit later. And, the print so suits the format, size and medium that it is unlikely to be after a work in another medium. It doesn’t have to be French, but one does not know where else to place it. Quite a wonderful little print.
Addition and Correction: Despite our contention that the work is unlikely to be after another in a different medium, it IS after another work in a different medium. Specifically, it is a same-direction, much reduced copy of the etching by Antoni Waterloo called “Alpheus and Arethusa,” Bartsch and Hollstein 25, the first in his series of large, vertical landscapes with scenes from Ovid. We are most grateful to Dr, Douglas Anderson, a client and print collector for spotting this. Arethusa was a Nereid who fled from the love of the river god Alpheus. The story gets very complicated. And the maker of the print shown is still unknown.
Addition and Correction: Despite our contention that the work is unlikely to be after another in a different medium, it IS after another work in a different medium. Specifically, it is a same-direction, much reduced copy of the etching by Antoni Waterloo called “Alpheus and Arethusa,” Bartsch and Hollstein 25, the first in his series of large, vertical landscapes with scenes from Ovid. We are most grateful to Dr, Douglas Anderson, a client and print collector for spotting this. Arethusa was a Nereid who fled from the love of the river god Alpheus. The story gets very complicated. And the maker of the print shown is still unknown.
![]() |
$400.00 | ![]() |