THE PRICE OF FAME
- Munch, Tiger and Bear
- Dürer, Five Lansquenets
- Bonnard, Dans la Rue
- Vuillard, La Couturiére
- Bellows, The Hold-Up
- Magritte, Oreille-Cloche
- Canaletto, Landscape
- Cezanne, Self-Portrait at the Easel
- Matisse, Repos du Modèle
- Pissarro, Rue Saint-Romaine
- Tiepolo, Three Soldiers
- Rouault, L’Enfant de la Balle
- Toulouse-Lautrec, Yvette
- Jongkind, Jetée en Bois
- after Brueghel, Saint Jerome
- Blake, And My Servant Job
- Chagall, Le Vixe
- Piranesi, The Villa Albani
- after Rubens, St. Mary Magdalene
- Millet, La Fileuse Auvergnate
- Beckmann, Jacob Wrestles
- Corot, Environs de Rome
- Tissot, Le Matin
- Whistler, Little Dorothy
- Géricault, Cheval Anglais
- Ostade, The Barn
- Hogarth, A Chorus of Singers
- Watteau & Thomassin, Femme
- Goya, Nanny’s Boy
- Palmer, Herdsman’s Cottage
- Delacroix, Arabes d’Oran
- Sloan, Fifth Avenue Critics
- after Boucher, The Snare
- after da Vinci, Caricature Head
- Baskin, Bird-Man
- after Turner, In the Campagna
- after Raphael, A Muse
- Kirchner, Railway Curve
- Daumier, Eh, Eh ? Petit Gredin…
- Robert, Le Poteau
- Rowlandson, Wood Nymphs
- Doré, Lapplander Peasants
- van Dyck, Portrait of Brueghel
- after Constable, Mill Stream
- Rosa, Woman Walking to the Left
10. Camille-Jacob Pissarro (1830-1903) Rue Saint-Romaine à Rouen (1re Planche) |
(click on image to print)
Rue Saint-Romaine à Rouen (1re Planche)
Zincograph, 1896, 188 x 136 mm., Delteil 176 i-ii/ii. A fine impression on blue-grey chine-appliqué with large margins. This is a proof apart from both the numbered edition of 5 in the first state and the numbered edition of 25 in the second. Delteil mentions many erasures or lightenings in the houses in the second state, and some are noticeable here, but also mentions that only in the first state are there two figures at the far end of the street (only one in the second state), and both are visible in this impression. Therefore, an undescribed state between one and two. The colored paper adds much to this rather dour (for an Impressionist) image, but Pissarro was always more concerned with buildings-as-buildings than his colleagues and the streets of Rouen were of considerable fascination to him. He did four versions of this scene alone as well as other, similar views of different streets in that Norman city.
$4,000.00 |